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CHEAP SUNDAY

AND WEEKDAY FOR THE PEOPLE.

READING above the understanding of the mechanic or of the child and by its wider diffusion the influence of those periodicals, irre

HE present day is perhaps unexampled for ligious, or positively immoral, which are now pushed with so

THE

the number of its periodical publications. In every department of literature these abound, and naturally exercise a vast influence over the minds of the reading public. Many of them are of a religious character, and are intended, respectively, to be the organs of some denomination or theological party: hence they are very mainly occupied in attacking or defending some special set of opinions, or maintaining those controversies which are most likely to interest the classes of readers among whom they circulate. Of such publications the value may be very great, and the service they do to the cause of truth often very important. But the Christian, it is presumed, does not wish to breathe always the air of controversy, and would find it a relief to study those pages where mere party disputes have no

entrance.

It was with this presumption that

The Church of England Magazine

(under the superintendence of clergymen) was originally prolected-with a desire to place it upon the broad ground of the Church, and to store its columns with devotional matter of such a character as to render it acceptable to all who, whatever their views of party controversy, unite in firmly holding those truths which are embedied in the formularies of the Protestant English Church.

The experiment has, under the divine blessing, proved successful. The circulation of the Church of England Magazine has, it is believed, exceeded that of any other periodical in connection with the Church-an evidence that men have rejoiced to be able to take up a work which, while anxious zealously to maintain the purity of the Gospel, has striven to repress error not by hot disputings, but by the simple quiet inculcation of truth. The Clergy have felt that they could safely recommend, such a work to their parishioners-parents, that they could introduce it into their families without fear of its imbuing their children with a knowledge of those things of which they would choose them to be ignorant: and much gratitude the conductors of the Church of England Magazine feel to those who have thus contributed to extend the circulation of this work.

But widely as it is circulated, it might be, the proprietors think, circulated more widely still. Its price brings it within the reach of all; and its contents are of that varied character, that, while not unsuited to the cultivating mind, they are not

much zeal, might it is hoped be checked; especially if, as is already in some instances the case, employers in manufacturing districts would place it in the hands of their workmen. For such an object, the conductors think that they may not improperly request the aid of their brethren, the clergy at large, both to oblige them with their personal countenance and also to promote the circulation in their respective neighbourhoods. The Magazine comprises every week a Sermon by some living divine, each printed from the author's manuscript. Among those who have in this way obliged the Editors may be named the Bishops of London, Winchester, Lincoln, Chester, Peterborough, Ripon, Worcester, Oxford, Jerusalem (late), &c.; archdeacons Hoare, Dealtry, Hodson, &c. ; chancellor Raikes; canons Dale, Jacob, Townsend, &c.; professors Lee, Scholefield, &c.; rv. Dr. Symons (vice-chancellor of Oxford), Dr. M'Caul, H. Melville, J. Jackson, R. Harvey, D. Moore, D. Bagot, J. Sandford, &c. Articles, also, of general religious interest, Biographies, Natural History, Poetry, &c., find their place in the Church of England Mazazine. An Ecclesiastical Register accompanies every part, containing Ordinations, Preferiments, Proceedings of Religious Societies, and other useful intelligence.

Among the various additions and improvements which have been lately made, is the commencing of a series of Views (with descriptions) of the noble Parish Churches of our land. A former series of the Cathredals met with much acceptance: this wll embrace a larger sweep, and will, it is conceived, add much to the value and interest of the publication.

The conductors would, therefore, respectfully address the clergy to aid them in carrying out their plans, and doubt not that they will find this Magazine suitable both for the family circle, the parochial library, and the poor man's cottage. It is published in weekly numbers, at 1d.; in monthly parts, with beautifully engraved frontispiece and wrapper, price 9d., and in half-yearly volumes, handsomely bound in cloth, price 5s. 6d., by Edwards and Hughes, 12, Ave Maria-lane, and is to be had of all booksellers. An excellent opportunity is afforded of fresh subscribers commencing with the January part, in which will appear a view of Southwell Collegiate Church, being the first of the proposed series of English Churches, together with original contributions by the right rev. the Bishops of Peterborough and Jamaica, the rev. T. Dale, canon residentiary of St. Paul's; the rev. W. W. Champneys, rector of St. Mary, Whitechapel, the rev. H. Woodward, rector of Fethard, &c.

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JOSEPHINE.

A DRAMATIC SKETCH.

SCENE. A Dressing-Room.
Ex-Empress Josephine and Attendant.

Josephine. Why dost thou linger, girl?
Attendant.
But to consult
What robes my Mistress chooses for to day.

Josephine. Ah, true; they should be costly!
'broidery

And gold;-velvet from Genoa's peerless loom,
And jewels rare.-Wilt thou not deck me so?
For is not this a gala day for France,
Where all is joy and revelry? Thou hast
No need to tremble, nor thy cheek to pale,
Nor eyes to fill with tears.-Why dost thou weep,
When I cannot ?

Attendant. My own dear Mistress!
Josephine.

Say,

Tell me in truth what day this is?-My dreams
Are strange,-so very strange ;-is it a dream?
Or is this day the one, which gives to-to-
Attendant. To France another Empress !
Josephine.
Unto him

Another Wife! Yes, yes, it is all true;
Oh God! his voice is ringing in my ears:
I cannot quell the sound.

Attendant.

Pray, pray be calm.

That heavy curtain: -let the bright sun's rays,
Whose glaring lustre seems to mock, not cheer,
The joyless, breaking heart,-let them stream forth
Upon the spot where yonder mirror leans.
[Exit Attendant.

(After a pause.)

They say that She is passing fair;-with form
And face, to win the homage Beauty claims;
A girlish thing, who, from her years, might be
His daughter! But the youthful heart that should
Have mated with her early pledge was mine,
In its first flush of ardent passion; when
Within his soul Ambition was a flame
To light, even to purify-not burn.
But now its raging heat has withered up
All gentler feelings. From his fellow-men
Far raised, and set apart,-the wildest dream
Of his hot youth seems, in its memory,
A faint imperfect shadow. Yet how sweet
It was with mingled minds to interchange,
Or share those glorious visions, which, alas!
Though pictured then by Hope's bright pencil, dipp'd
In rainbow hues, reach'd and o'erleap'd, seemed mean
And worthless. But She cannot know all this.
The Royal Maiden born, nurtured in pomp

And pride, can never tell what 'twas to build
A Throne from the disjointed fragments which
An earthquake had o'erwhelmed. And she, perchance,

Josephine. And now he whispers to her soft Accustomed to the giddy height, may feel

and low:

I see him bend,-he stoops to clasp her hand.
Oh, blindness-deafness-were rich blessings,-so
They shut out Memory too! Hark, hark! they cry,
The people cry-" Long live Marie Louise!"
Attendant. 'Tis fancy, dearest lady.
Josephine.

May she prove

A blessing unto France and unto him!

No trembling lest the stormy elements

But slumber in their strength. She cannot read
The language of His eye, or brow,-the thought
The fear that never yet found utterance

In words! Be still, my jealous heart, be still;
'Tis true the Emperor loves his bride, he loves
As in a dozen years a man may love

A dozen different women; but he loves

Attendant. Whether her days pass on in steady Her not as Josephine was loved, in those

pomp;

The river of her bright career unchecked
By ills, that Fortune flings across the path,
E'en of her favourites; or the storms which come
Ruffling the stream of life, and casting up

The soul's rich treasures, which perchance had else
Lain all unheeded 'neath the calm deep tide.
(Alas! that stormy trials e'er should throw
Unto life's surface only common earth.)
Whether in characters of light her name
Be writ, or leave faint trace behind, still thine,
Oh Josephine, will ever on the page
Of the historian shine, like a bright gem
Amid the tinsel glare, that doth indeed
Too oft make up the show of human glory.
France will remember thine, the gentle voice,
To sue for mercy, aye, and win it from
Thy conquering lord, e'en in his fiercest mood;
And at the last-

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Delicious days, before the vulture, blind
And ravenous Ambition, gnawed his heart
Away.

And now, my mirror,-on thy clear
And polished surface I can trace my form
The same as yesterday, and that again
Seemed like its predecessor;-and again

Through days, and weeks, and months, and years
the same,-

Even thy surface (Truth's own emblem) failed
To warn me of the subtle work of that

Arch-spoiler Time, who doth, with steady hand
And sure, the chisel wield from day to day ;-
At first to model to perfection,-then
Destroy. I marvel if mine eye be still

As bright as when he praised its lustre,-or
These hands as soft as when they clasp'd his own,-
Or is my form the same his arms entwined?

I cannot tell; the image of one's self
Is the sole record meniory imprints
In ever-shifting sand.

And We shall meet

With Friendship's even pulse ;-our converse light
And careless! But I'll don the armour proof-
A woman's pride :-and none, not He, shall tell
That her loved France, even the Universe,

Is to poor Josephine a dreary waste,

In which the boon she asks is but a Grave!

CAMILLA TOULMIN.

1

SHOREHAM CHURCH.

The church of New Shoreham is an exceedingly interesting specimen of Norman architecture. When it was "standing entire, it was a stately and spacious structure, extending in length from east to west about 210 feet, with a transept measuring 92 feet from north to south, and a tower rising from the centre of the cross 83 feet. The destruction of the nave has taken away one-half of the total length, spoiling the proportion of the building, and throwing the tower out of its proper position, as seen in a general view. It is not known at what time the church was thus mutilated....The nave had six arches on each side, supported by short and massy columns; but of these only two remain standing; and the aisles have been entirely swept away. The north and south arms of the transept are of plain architecture, with semicircular arches in the original windows; and the four great arches upon which the tower is built are also semicircular. The choir is of different character. The walls of this part rise considerably higher than those of the transept, and the upper windows have pointed heads. The original windows of the aisles have semicircular arches; but others, of the style of the fifteenth century, have been inserted in the south side. In the eastern front the two forms of arches are placed together; three semicircular arches, with small windows corresponding to them, filling the lower story; three pointed windows giving light to the story above, and the gable being pierced by a circular window formed into a wheel by twelve little columns radiating from the centre, supporting as many small semicircular arches placed within the outward circle....The length of the choir is divided into five bays by pointed arches, springing from columns of moderate height; those on the south side having clustered shafts, whilst the opposite ones are alternately octagonal and cylindrical. The capitals of these columns are beautifully sculptured with ornamental foliage; and the outward mouldings of the arches are enriched with similar carving, disposed in a series of small branches waving round in a pattern of uncommon elegance. The second story is perforated with arches of varied shapes, but all pointed. The walls of the aisles are adorned entirely with semicircular arches, fretted with cheveron mouldings. The south end of the transept has had a large

window in the style of the fifteenth century inserted, and another stands over the western door....The tower partakes of the mixed style of the choir, having two stories of windows with semicircular arches, included in larger arches of the pointed shape. Above these arches are some circular ornaments, pierced in the walls, like very small wheel-shaped windows, three on each side of the tower. The roof of this tower is flat, and surrounded by a plain parapet supported by corbels."

Mutilated as this building now is, the archi tectural details within are still remarkable for richness and diversity. Considerable pains bave been taken in repairing it. The windows have been refitted with Caen stone, and the ornaments of the columns cleared of the whitewash.

In the aisle there are two brass figures of a man and woman, in loose gowns, without any inscription. They have been supposed to be those of a merchant and his wife of the time of Henry VI. or Edward IV.

The font is of Sussex marble, large, square, and standing on five pillars, having on two sides a circular arcade, on the other sides a zigzag ornament, of the early Norman style.

Anciently there was here a priory for Car melites, or White Friars, founded by sir John Mowbray, knight. There was also a hospital, dedicated to St. James. No vestige of these now remains.

It was at Shoreham that Ella the Saxon is said to have landed with fresh forces from Ger many after the invasion by Hengist and Horsa. The Britons endeavoured to defend their country against this intruder; but Ælla was victorious, and formed one of those kingdoms commonly termed the Heptarchy-that of Sussex, over which he reigned. It was one of the smallest of these petty states, including Sussex and part of Surrey: it was also one of the weakest. Ella was succeeded by his son Cissa, who is said to have reigned 76 years, and to have built Chichester. But this kingdom fell afterwards under the sovereignty of the kings of Wessex, who finally attained the dominion of all England. Sussex appears to have been generally the inlet to successful invasion. It was on this coast that William the Norman landed.

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