Karaoke Around the World: Global Technology, Local SingingShuhei Hosokawa, Toru Mitsui Routledge, 2005/06/20 - 224 ページ The karaoke machine is much more than an instrument which allows us to be a star for three minutes. The contributors to this lively collection address the importance of karaoke within Japanese culture and its spread to other parts of the world, exploring the influence of karaoke in such different societies as the United Kingdom, North America, Italy, Sweden, Korea and Brazil. They also consider the nature of the karaoke experience, which involves people as singers, co-singers and listeners. |
目次
PART I | |
The effects of karaoke on music in Japan 45 | |
The adaptability of karaoke in the United Kingdom 83 | |
Karaoke in Italy 102 | |
Identification and interpretation in the Swedish forms | |
Karaoke in a JapaneseBrazilian community 139 | |
On the interaction between collectivism and individualism | |
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accompaniment amateur singers American Anglo-American Asian audience behaviour Brazil Brazilian café-chantant cassette Chinese choir collectivism competition contest countries cultural customers East Asia enka songs entertainment ethnic Ethnomusicology example Fornäs Gekkan Karaokefan genres Hiroshi Ogawa Hong Kong Hosokawa identity iemoto individual interaction Italian Japan Japanese karaoke Japanese pop Japanese popular music Japanese songs Japanese-Brazilian JASRAC juke-box karaoke bars karaoke boxes karaoke coffee shops karaoke equipment karaoke industry karaoke machine karaoke scene karaoke singing karaoke space karaoke’s Korean laser disc listening melody men’s clubs microphone Mitsui music hall musicians nodojiman Ogawa Okinawan On’na one’s participants party Paulo performance play pop music pop songs popular songs practice pre-recorded production professional programme radio record repertoire São Paulo Shhei Sid Vicious social sound style sung Taiwan tape television tibiko Tokyo traditional United Kingdom users visual vocal voice women words