Delsarte System of ExpressionE. S. Werner, 1885 - 271 ページ |
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ÆSTHETIC GYMNASTICS affirmation artist Attention attitude ex.-con attitude of legs Beautiful bend body breathing brow centre CHART Chromatic scale color con.-con con.-ex con.-nor Concentro-concentric Concentro-excentric Concentro-normal conditional attitudes decomposed Delsarte depressed Description of action divine elbow emotion ex.-con ex.-nor excentric Excentro-concentric Excentro-excentric Excentro-normal Exercise expression fall fingers foot forearm free leg gentlemen gesture glottis Harmonic bearing heart heel incline head Incline torso indicates inflection knee LARYNGEAL leg strong LELAND STANFORD LESSON line of beauty master mind moral or volitional motion movement nature nor.-con nor.-ex nor.-nor normal Normo-concentric Normo-excentric Normo-normal object opposition palatine arch palm Pantomime passion pharynx Practice principle pupil Raise the arm relative attitude rise rotates semeiotics sentiment shoulder Signification sink soul STANFORD strong leg Sway arms thermometer things thumb tion tone unbend upper arm vital force voice walk weight word wrist zone
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72 ページ - Near this spot Are deposited the remains of one Who possessed beauty without vanity, Strength without insolence, Courage without ferocity, And all the virtues of man without his vices. This praise, which would
227 ページ - Therefore it is, that every system of teaching is false which holds forth ' great art' as in any wise to be taught to students or even to be aimed at by them. Great art is precisely that which never was, nor will be taught. It is preeminently and finally the expression of the spirits of
248 ページ - to a pillar. It was almost night, And the last seller from his place had gone, And not a sound was heard but of a dog Crunching beneath the stall a refuse bone, Or the dull echo from the pavement rung, As the faint captive changed his weary feet. Twas evening, and the
226 ページ - He who habituates himself in his daily life to seek for the stern facts in whatever he hears or sees, will have these facts again brought before him by the involuntary imaginative power in their noblest associations. And he who seeks for frivolities and fallacies will have frivolities and fallacies again presented to him in his dreams.
225 ページ - harmony with all true rules and involves thousands too delicate for ear, or eye, or thought to trace; still, it is possible to reason with infinite pleasure and profit about these principles, when the thing is once done; only all our reasoning will not enable any one to do another thing like it, because all reasoning falls
56 ページ - The idea, as separate from the object, exists prior to the object itself; and the outward work is but the material form, the effect of the spiritual idea or spiritual form. "The certain and practical sense of this word 'spirit.' The sense in which you all know that its reality exists as the power which shaped you into
224 ページ - true or not, is in its tendency most instructive, except only in that it makes one false inference or admission; namely, that a good composition can be contrary to the rules. It may be contrary to certain principles supposed, in ignorance, to be general, but every great composition is in
217 ページ - in general art, though constantly and necessarily in that of great colorists, namely, the union of one color with another by reciprocal interference; that is to say, if a mass of red is to be set beside a mass of blue, a piece of the red will be carried
248 ページ - The golden light into the painter's room Stream'd richly, and the hidden colors stole From the dark pictures radiantly forth, And in the soft and dewy atmosphere Like forms and landscapes magical they lay.
248 ページ - sun Tipp'd with a golden fire the many domes Of Athens, and a yellow atmosphere Lay rich and dusky in the shaded street Through which the captive gazed. The golden light into the painter's room