The Plays of William Shakespeare, 第 7 巻T. Bensley, 1804 |
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... scene ; for except the feminine arts , some of which are too low , which distinguish Cleopatra , no character is very strongly discriminated . Upton , who did not easily miss what he desired to find , has discovered that the language of ...
... scene ; for except the feminine arts , some of which are too low , which distinguish Cleopatra , no character is very strongly discriminated . Upton , who did not easily miss what he desired to find , has discovered that the language of ...
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... scene of our play is laid at Rome , and Saturninus is elected to the empire at the capitol . THEOBALD . All the editors and critics agree with Mr. Theobald in supposing this play spurious . I see no reason for differing from them ; for ...
... scene of our play is laid at Rome , and Saturninus is elected to the empire at the capitol . THEOBALD . All the editors and critics agree with Mr. Theobald in supposing this play spurious . I see no reason for differing from them ; for ...
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... Art thou any thing ? Art thou some god , some angel , or some devil , That mak'st my blood cold , and my hair to stare ? Speak to me , what thou art . Julius Caesar . A TRAGEDY , BY WILLIAM SHAKSPEARE . Act IV . Scene III . JULIUS CESAR.
... Art thou any thing ? Art thou some god , some angel , or some devil , That mak'st my blood cold , and my hair to stare ? Speak to me , what thou art . Julius Caesar . A TRAGEDY , BY WILLIAM SHAKSPEARE . Act IV . Scene III . JULIUS CESAR.
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... SCENE , during a great part of the play , at Rome : afterwards at Sardis ; and near Philippi . JULIUS CÆSAR . ACT I. SCENE I. ROME . A.
... SCENE , during a great part of the play , at Rome : afterwards at Sardis ; and near Philippi . JULIUS CÆSAR . ACT I. SCENE I. ROME . A.
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William Shakespeare. JULIUS CÆSAR . ACT I. SCENE I. ROME . A STREET , Enter Flavius , Marullus , and a rabble of Citizens . Flav . Hence ; home , you idle creatures , get you home ; Is this a holiday ? What ! know you not , Being ...
William Shakespeare. JULIUS CÆSAR . ACT I. SCENE I. ROME . A STREET , Enter Flavius , Marullus , and a rabble of Citizens . Flav . Hence ; home , you idle creatures , get you home ; Is this a holiday ? What ! know you not , Being ...
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多く使われている語句
Aaron Andronicus Bassianus Bawd better blood Boult brother Brutus Cæs Cæsar call'd Casca Cassius Char Charmian Cleo Cleon Cleopatra Cloten Cymbeline daughter dead death deed Dionyza dost doth emperor Enobarbus Enter Eros Exeunt Exit eyes farewel father fear fortune friends give gods Goths Guiderius hand hath hear heart heaven hither honour Iach Iachimo Imogen Julius Cæsar king lady Lavinia Lepidus look lord Lucius Lysimachus madam Marcus Marina Mark Antony master mistress musick never night noble o'the Octavia Parthia Pericles Pisanio Pompey Post Posthumus pr'ythee pray prince prince of Tyre queen Re-enter Roman Rome Saturninus SCENE speak sweet sword Tamora tears tell thee There's thine thing thou art thou hast Titinius Titus Titus Andronicus tongue unto villain weep
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58 ページ - Friends, Romans, countrymen, lend me your ears ; I come to bury Caesar, not to praise him. The evil that men do lives after them ; The good is oft interred with their bones ; So let it be with Caesar.
56 ページ - Romans, countrymen, and lovers! hear me for my cause ; and be silent that you may hear : believe me for mine honour; and have respect to mine honour, that you may believe: censure me in your wisdom; and awake your senses that you may the better judge. If there be any in this assembly, any dear friend of Caesar's, to him I say, that Brutus' love to Caesar was no less than his.
9 ページ - To find ourselves dishonourable graves. Men at some time are masters of their fates The fault, dear Brutus, is not in our stars, But in ourselves, that we are underlings. Brutus and Caesar : What should be in that Caesar?
60 ページ - tis his will: Let but the commons hear this testament, , (Which, pardon me, I do not mean to read,) And they would go and kiss dead Caesar's wounds, And dip their napkins in his sacred blood; Yea, beg a hair of him for memory, And, dying, mention it within their wills, Bequeathing it as a rich legacy Unto their issue.
57 ページ - Here comes his body, mourned by Mark Antony : who, though he had no hand in his death, shall receive the benefit of his dying, a place in the commonwealth; as which of you shall not ? With this I depart, — that, as I slew my best lover for the good of Rome, I have the same dagger for myself, when it shall please my country to need my death.
62 ページ - Whilst bloody treason flourish'd over us. O, now you weep, and I perceive you feel The dint of pity; these are gracious drops. Kind souls, what! weep you when you but behold Our Caesar's vesture wounded ? Look you here, Here is himself, marr'd, as you see, with traitors.
135 ページ - tis most certain, Iras : saucy lictors Will catch at us, like strumpets ; and scald rhymers Ballad us out o' tune : the quick comedians Extemporally will stage us, and present Our Alexandrian revels : Antony Shall be brought drunken forth, and I shall see Some squeaking Cleopatra boy my greatness I
34 ページ - So many mermaids, tended her i' the eyes, And made their bends adornings ; at the helm A seeming mermaid steers ; the silken tackle Swell with the touches of those flower-soft hands, That yarely frame the office. From the barge A strange invisible perfume hits the sense Of the adjacent wharfs. The city cast Her people out upon her, and Antony, Enthron'd i...
34 ページ - The barge she sat in, like a burnish'd throne, Burn'd on the water: the poop was beaten gold; Purple the sails, and so perfumed, that The winds were love-sick with them: the oars were silver; Which to the tune of flutes kept stroke, and made The water, which they beat, to follow faster, As amorous of their strokes.
74 ページ - By the gods, You shall digest the venom of your spleen, Though it do split you ; for, from this day forth, I'll use you for my mirth, yea, for my laughter, When you are waspish.