 The truth is, that the spectators are always in their senses, and know, from the first act to the last, that the stage is only a stage, and that the players are only players.  Miscellaneous and Fugitive Pieces - 113 ページSamuel Johnson 著 - 1774全文表示 - この書籍について
 | 1765 - 600 ページ
...are always in their fenfes, and know, from the firlt act to the laft, that the ftage is only a ftage, and that the players are only players. They come to...modulation. The lines relate to fome action, and an ac-. tion muft be in fome place ; but the different actions that cornpleat a ftory may be in places... | |
 | William Shakespeare - 1768 - 676 ページ
...are always in their fenfes, and know, from the firft aft to the laft, that the ftage is only a ftage, and that the players are only players. They come to...gefture and elegant modulation. The lines relate to fome aftion, and an aftion muft be in fome place •, but the different actions that complete a ftory may... | |
 | Samuel Johnson - 1774 - 374 ページ
...Brains that can make the Stage a Field. The Truth is, that the Spectators arc always in their Senfes, and know, from the firft Act to the laft, that the...to hear a certain Number of Lines recited with juft Geftureand elegant Modulation. The Lines relate to fome Action, and an Action muft be in fome Place... | |
 | William Shakespeare - 1778 - 746 ページ
...always in their fenfes, and know, from the firft aft to the laft, that the ftage is only a ftage, arid that the players are only players. They come to hear...gefture and elegant modulation. The lines relate to fome a£tion, and an aftion muft be in fome place-, but the different actions that complete a ftory may... | |
 | William Shakespeare - 1788 - 346 ページ
...truth is, that the spectators are always in their senses, and know, from the first act to the last, that the stage is only a stage, and that the players are only players. They came to hear a certain number of lines recited with just gesture and elegant modulation. The lines... | |
 | Vicesimus Knox - 1790 - 1058 ページ
...firft ail to the laft, that the ftage is only a ftage, and that the players are only players. They came to hear a certain number of lines recited with juft...gefture and elegant modulation. The lines relate to ibme action, and an aflion muit be in fome place; but the different actions that complete a. Логу... | |
 | William Shakespeare - 1793 - 860 ページ
...are always in their fenfes, and know, from the firft act to the laft, that the ftage is only a ftage, and that the players are only players. They come to...gefture and elegant modulation. The lines relate to fome aftion, and an action muft be in fome place ; but the different actions that complete a ftory may be... | |
 | 1793 - 620 ページ
...are always in their fenies, and know, from the frit act to the lair, that the ftage is only a (tage, and that the players are only players. They come to hear a certain numbtr of lines recited with jull gefture and elegant modulation. Tie lines relate to fome action,... | |
 | John Dryden - 1800 - 624 ページ
...truth is, that the spectators are always in their senses, and know, from the first act to the last, that the stage is only a stage, and that the players...come to hear a certain number of lines recited with just gesture and elegant modulation. The lines relate to some action, and an action must be in some... | |
 | John Dryden, Edmond Malone - 1800 - 591 ページ
...truth is, that the spectators are always in their senses, and know, from the first act to the last, that the stage is only a stage, and that the players...come to hear a certain number of lines recited with just gesture and elegant modulation. The lines relate to some action, and an action must be in some... | |
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