Movement in Two DimensionsHutchinson, 1963 - 142 ページ |
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48 ページ
... screen which divides the audience and the image from the showman . In the wide range of its subject - matter , which , like that of the cinema , can be described as illustrated narrative rather than drama , and in its consistent use of ...
... screen which divides the audience and the image from the showman . In the wide range of its subject - matter , which , like that of the cinema , can be described as illustrated narrative rather than drama , and in its consistent use of ...
73 ページ
... screen was built , measuring about 4 by 3 ft . , and gradually elaborate machinery was introduced to operate intricate lighting changes and fabulous scenic effects . The mode of operation was this : the figures and the principle ...
... screen was built , measuring about 4 by 3 ft . , and gradually elaborate machinery was introduced to operate intricate lighting changes and fabulous scenic effects . The mode of operation was this : the figures and the principle ...
127 ページ
... screen ; holding it there very briefly , then jerking it aside again and at the same time putting the next picture into position for projection . The shutter is the means by which the picture is hidden during the small fraction of a ...
... screen ; holding it there very briefly , then jerking it aside again and at the same time putting the next picture into position for projection . The shutter is the means by which the picture is hidden during the small fraction of a ...
目次
Mirrors and Magic II | 11 |
Peepshows and Panoramas | 23 |
Far Eastern Shadows | 47 |
著作権 | |
他の 5 セクションは表示されていません
多く使われている語句
animated apparatus appeared artist audience background Bamforth Barnes brothers Barnes Collection camera obscura Cellini character Chat Noir Chinese cinema circle coloured combined concave mirrors conjuring contrived curtain Daguerre Daguerre's dalang dark Diorama disc dissolving effects Eidophusikon engravings entertainment exhibited eyes figures film fire girl glass Goodwin Norton hero illuminated illusion invention Javanese Karagöz landscape Langlois lanternist later Le Chat Noir lenses light London Loutherbourg magic lantern magician means movement moving picture night nineteenth century Noakes optics painted painter panoramas Paris Peep peepshow performance persistence of vision perspective Phantasmagoria Phenakistiscope photographic slides pieces popular Praxinoscope priest produced programme projected puppets Regent's Park repertoire revolved rotunda round scene screen seen shades shadow play shadow show shadow theatre showman shown side silhouettes spectacle spectators Street subjects Thaumatrope themes topographical transparent Turkish turn Victorian viewers vision woman Zoetrope