Israel Potter: His Fifty Years of Exile, 第 231 巻

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G. Routledge, 1855 - 174 ページ
 

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59 ページ - Industry need not wish, as Poor Richard says, and he that lives upon Hope will die fasting. There are no Gains without Pains; then Help, Hands, for I have no Lands, or if I have, they are smartly taxed.
124 ページ - So that a man shall say, Verily there is a reward for the righteous : verily he is a God that judgeth in the earth.
9 ページ - ... some renowned structure, a palace, a prison, or a fortress. It is thus with the * Tower of London,' ' Windsor Castle,'
155 ページ - He was frank; bluff; companionable as a Pagan; convivial; a -Roman; hearty as a harvest. His spirit was essentially western; and herein is his peculiar Americanism; for the western spirit is, or will yet be (for no other is, or can be) the true American one.
125 ページ - Sharing the same blood with England, and yet her proved foe in two wars — not wholly inclined at bottom to forget an old grudge — intrepid, unprincipled, reckless, predatory, with boundless ambition, civilized in externals but a savage at heart, America is, or may yet be, the Paul Jones of nations.
164 ページ - Hung in long, sepulchral arches of stone, the black, besmoked bridge seemed a huge scarf of crape, festooning the river across. Similar funeral festoons spanned it to the west, while eastward, towards the sea, tiers and tiers of jetty colliers lay moored, side by side, fleets of black swans. The Thames, which far away, among the green fields of Berks, ran clear as a brook, here, polluted by continual vicinity to man, curdled on between rotten wharves, one murky sheet of sewerage.
7 ページ - ... images of guilt and woe, they so clear our judgment by profound analysis, while they move our hearts by terror or compassion, that we learn to detect and stifle in ourselves the evil thought which we see gradually unfolding itself into the guilty deed.
128 ページ - Prudence dictated the step; because several chance shot — from which of the combatants could not be known — had already struck the Scarborough. So, unwilling uselessly to expose herself, off went for the present this baffled and ineffectual friend. Not long after, an invisible hand came and set down a great yellow lamp in the east. The hand reached up unseen from below the horizon, and set the lamp down right on the rim of the horizon, as on a threshold; as much as to say, Gentlemen warriors,...
133 ページ - These words were spoken by Paul to Israel. Israel did as ordered. In a few minutes, bucket in hand, begrimed with powder, sixty feet in air, he hung like Apollyon from the extreme tip of the yard over the fated abyss of the hatchway. As he looked down between the eddies of smoke into that slaughterous pit, it was like looking from the verge of a cataract down into the yeasty pool at its base. Watching his chance, he dropped one grenade with such faultless precision, that, striking its mark, an explosion...
7 ページ - ... art ; here — lively and sparkling fancies; there, vigorous passion or practical wisdom — these works abound in illustrations that teach benevolence to the rich, and courage to the poor ; they glow with the love of freedom ; they speak a sympathy with all high aspirations, and all manly...

著者について (1855)

Herman Melville (August 1, 1819 - September 28, 1891) was born into a seemingly secure, prosperous world, a descendant of prominent Dutch and English families long established in New York State. That security vanished when first, the family business failed, and then, two years later, in young Melville's thirteenth year, his father died. Without enough money to gain the formal education that professions required, Melville was thrown on his own resources and in 1841 sailed off on a whaling ship bound for the South Seas. His experiences at sea during the next four years were to form in part the basis of his best fiction. Melville's first two books, Typee (1846) and Omoo (1847), were partly romance and partly autobiographical travel books set in the South Seas. Both were popular successes, particularly Typee, which included a stay among cannibals and a romance with a South Sea maiden. During the next several years, Melville published three more romances that drew upon his experiences at sea: Redburn (1849) and White-Jacket (1850), both fairly realistic accounts of the sailor's life and depicting the loss of innocence of central characters; and Mardi (1849), which, like the other two books, began as a romance of adventure but turned into an allegorical critique of contemporary American civilization. Moby Dick (1851) also began as an adventure story, based on Melville's experiences aboard the whaling ship. However, in the writing of it inspired in part by conversations with his friend and neighbor Hawthorne and partly by his own irrepressible imagination and reading of Shakespeare and other Renaissance dramatists Melville turned the book into something so strange that, when it appeared in print, many of his readers and critics were dumbfounded, even outraged. By the mid-1850s, Melville's literary reputation was all but destroyed, and he was obliged to live the rest of his life taking whatever jobs he could find and borrowing money from relatives, who fortunately were always in a position to help him. He continued to write, however, and published some marvelous short fiction pieces Benito Cereno" (1855) and "Bartleby, the Scrivener" (1853) are the best. He also published several volumes of poetry, the most important of which was Battle Pieces and Aspects of the War (1866), poems of occasionally great power that were written in response to the moral challenge of the Civil War. His posthumously published work, Billy Budd (1924), on which he worked up until the time of his death, became Melville's last significant literary work, a brilliant short novel that movingly describes a young sailor's imprisonment and death. Melville's reputation, however, rests most solidly on his great epic romance, Moby Dick. It is a difficult as well as a brilliant book, and many critics have offered interpretations of its complicated ambiguous symbolism. Darrel Abel briefly summed up Moby Dick as "the story of an attempt to search the unsearchable ways of God," although the book has historical, political, and moral implications as well. Melville died at his home in New York City early on the morning of September 28, 1891, at age 72. The doctor listed "cardiac dilation" on the death certificate. He was interred in the Woodlawn Cemetery in The Bronx, New York, along with his wife, Elizabeth Shaw Melville.

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