Beyond the Brillo Box: The Visual Arts in Post-Historical Perspective

前表紙
University of California Press, 1998/11/03 - 263 ページ
In this collection of interconnected essays, Arthur C. Danto argues that Andy Warhol's Brillo Box of 1964 brought the established trajectory of Westen art to an end and gave rise to a pluralism which has changed the way art is made, perceived, and exhibited. Wonderfully illuminating and highly provocative, his essays explore how conceptions of art–and resulting historical narratives–differ according to culture. They also grapple with the most challenging issues in art today, including censorship and state support of artists.
 

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目次

Reflections on the Innocent Eye
15
Comedies of Similarity
33
Symbolic Expressions and the Self
55
Metaphor and Cognition
73
Art and Artifact in Africa
89
Shapes of Artistic Pasts East and West
115
The Abstract Expressionist CocaCola Bottle
131
High Art Low Art and the Spirit of History
147
Censorship and Subsidy in the Arts
163
Dangerous Art
179
The Museum of Museums
199
Learning to Live with Pluralism
217
Narrative and Style
233
Index
251
著作権

他の版 - すべて表示

Beyond the Brillo Box: The Visual Arts in Post-Historical Perspective
Arthur C. Danto
限定表示 - 1998
Beyond the Brillo Box: The Visual Arts in Post-historical Perspective
Arthur Coleman Danto
プレビュー不可 - 1992
Beyond the Brillo Box: The Visual Arts in Post-Historical Perspective
Arthur C. Danto
プレビュー不可 - 1998

多く使われている語句

Abstract Expressionism Abstract Expressionist aesthetic Alice Boughton American animals art history art world artifacts artist artworks Basket beauty believed belongs Brillo Box called Centre Pompidou century color contemporary course criticism culture dangerous defined displayed distinction emblem embodied Eva Hesse example exhibition explain fact Gallery Guercino Hammer and Sickle high art history of art human images imagine imitation innocent eye Jeff Wall Jennifer Bartlett kind lived look Louis Philippe Mangold Mark Tansey matter meaning merely metaphor Modern Art MoMA moral Museum of Modern Museum of Museums narrative nature objects painting pear perhaps philosophical philosophy of art photograph Picasso pictorial picture pigeons Pluralism political Pompidou pots question reality Rembrandt representation resemble response Robert Mangold sculpture seems sense sentence simply someone sort spirit style suppose symbolic expressions Theory of Art things thought tion true truth Tsan visual Wan Shang-Lin Warhol York

著者について (1998)

Art critic and philosopher Arthur C. Danto was born in 1924. He received a B.A. from Wayne State University in 1948 and a M.A. and a Ph.D. from Columbia University, in 1949 and 1952, respectively. He began teaching at Columbia University in 1951 and has been a professor since 1966. He has received many fellowships and grants including two Guggenheims, ACLS, and Fulbright, and has served as Vice-President and President of the American Philosophical Association, as well as President of the American Society for Aesthetics. His book Encounters and Reflections: Art in the Historical Present, a collection of art criticism, won the 1990 National Book Critics Circle Prize for Criticism. He is also the art critic for The Nation and an editor for the Journal of Philosophy.

書誌情報

書籍名Beyond the Brillo Box: The Visual Arts in Post-Historical Perspective
著者Arthur C. Danto
版イラスト付き, 再版
出版社University of California Press, 1998
ISBN0520216741, 9780520216747
ページ数263 ページ
  
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