Play Directing: Analysis, Communication, and StyleAllyn and Bacon, 2000 - 396 ページ ""Play Directing" is about the leader of an artistic enterprise--the play director in today's theatre. The book describes the various roles a director plays, from calling the plays to orchestrating and blending a symphony of actors and elements. The author emphasizes that the role of the director is not as a dictator, but as a leader of multiple craftsmen who look to the director for ideas that will give impetus to their fullest, most creative expressions." This book emphasizes that directing is not a finite and specific system of production, but rather is a venue for providing an intensive look at the structure of plays, of acting and actor-ownership, and of all the other crafts that together make a produced play. Readers are guided through the whole process of working on a play from style to analysis, including its relationship to moving pictures and television. They are encouraged to use this foundation as a basis from which to set their own goals as creative and dedicated leaders." For anyone interested in Play Direction or Theatre Study. |
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... objects in space free of the walls so that actors can move easily around them ( see Figure 8 ) . Objects placed against the walls merely create standing spaces with no obstacle course . They will provide a certain amount of ...
... objects in space free of the walls so that actors can move easily around them ( see Figure 8 ) . Objects placed against the walls merely create standing spaces with no obstacle course . They will provide a certain amount of ...
183 ページ
... objects ( detail objects used and the effective illustration they have made possible ; discuss what objects might have been used to bet- ter advantage ) III . Characterizations . Discuss the acting of the scene by detailing what each ...
... objects ( detail objects used and the effective illustration they have made possible ; discuss what objects might have been used to bet- ter advantage ) III . Characterizations . Discuss the acting of the scene by detailing what each ...
349 ページ
... objects or dress are new , the people who make them use them naturally and freely because they have discerned their need and can take their functionalism for granted . But when historical objects or historical dress are used , if they ...
... objects or dress are new , the people who make them use them naturally and freely because they have discerned their need and can take their functionalism for granted . But when historical objects or historical dress are used , if they ...
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acting areas actors actually approach architectural arena stage Arthur Miller audience aware basic blocking bridge music Chapter character-mood-intensity climactic color comedy composition concept convention costume creative criticism Crucible decorum delineate developed dialogue directing director director-actor communication discussion Doctor Faustus dramatic action effect emphasis EXERCISES experience exploit feel Figure force furniture gesture given circumstances groundplan hand properties hear Hedda Gabler historical ideas illustration imagination important improvisation individual intensive lighting look makeup means modern Molière moods motion pictures move movement musical theatre open-thrust Photo play-analysis play's playscript playwright positions possible problem production proscenium stage Realism rehearsal relationship rhythm scene scenery scenic sense set properties sort sound space specific speech stage lighting structure style style-analysis subtext suggested technique tempos theatre theatrical tion tors understand unit upstage values verbs visual VISUAL PERCEPTION words