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Alexander Allan ancient Anderson Andrew appeared Auld ballads bards beauty become believed born Brown Burns Campbell century character considered contains critical David Death died early Edwards expression feeling genius George gifted give hand heart higher highest hope human imagination influence inspiration interest James John known land language latter less light lines literary literature living lyric marked Mary mind Minstrel Murray native nature never noble numerous original period pieces poems poetic poetry poets popular possess present productions published Reid Robert Robertson says Scotland Scott Scottish Scottish Poets Scottish song sentiment singing Smith song soul spirit Stewart things Thomas Thomson thought touch true truth verse volume Walker Wallace William Wilson writers written Young youth
127 ページ - Poetry is the record of the best and happiest moments of the happiest and best minds.
xxxv ページ - They parted - ne'er to meet again! But never either found another To free the hollow heart from paining They stood aloof, the scars remaining, Like cliffs, which had been rent asunder; A dreary sea now flows between; But neither heat, nor frost, nor thunder, Shall wholly do away, I ween, The marks of that which once hath been.
xxxiii ページ - Poems was to choose incidents and situations from common life, and to relate or describe them, throughout, as far as was possible in a selection of language really used by men, and, at the same time, to throw over them a certain colouring of imagination, whereby ordinary things should be presented to the mind in an unusual aspect...
xxx ページ - Critics give themselves great labour to draw out what in the abstract constitutes the characters of a high quality of poetry. It is much better simply to have recourse to concrete examples; — to take specimens of poetry of the high, the very highest quality, and to say: The characters of a high quality of poetry are what is expressed there. They are far better recognised by being felt in the verse of the master, than by being perused in the prose of the critic.
xxix ページ - Indeed there can be no more useful help for discovering what poetry belongs to the class of the truly excellent, and can 265 therefore do us most good, than to have always in one's mind lines and expressions of the great masters, and to apply them as a touchstone to other poetry. Of course we are not to require this other poetry to resemble them; it may be very dissimilar.
80 ページ - Light be the turf on the breast of the Heaveninspired poet who composed this glorious fragment ! There is more of the fire of native genius in it, than in half a dozen of modern English Bacchanalians. Now I am on my hobby-horse, I cannot help inserting two other old stanzas, which please me mightily. Go fetch to me a pint o...
xxiii ページ - Its great tendency and purpose is, to carry the mind beyond and above the beaten, dusty, weary walks of ordinary life; to lift it into a purer element, and to breathe into it more profound and generous emotion.
lvi ページ - O'er grovelling generations past Upstood the Doric fane at last ; And countless hearts on countless years Had wasted thoughts, and hopes, and fears, Rude laughter and unmeaning tears, Ere England Shakespeare saw, or Rome The pure perfection of her dome. Others, I doubt not, if not we, The issue of our toils shall see ; Young children gather as their own The harvest that the dead had sown. The dead forgotten and unknown.
xxiii ページ - It reveals to us the loveliness of nature, brings back the freshness of youthful feeling, revives the relish of simple pleasures, keeps unquenched the enthusiasm which warmed the spring-time of our being, refines youthful love, strengthens our interest in human nature by vivid delineations of its tenderest and loftiest feelings...