worm, doth prey upon my vitals, and still they grow again to be devoured, or like civil warfare, where fathers against sons, casting away all natural affection, inhumanly contend, till finally they weaken and destroy the country that produced them. Even like to such pernicious combats, but far more dreadful, are those fights within my breast. For these do vex me in my dreams; while these continue, food cannot nourish me, sleep cannot refresh me. I am consumed as by a slow internal fire. But hark! I must away." [Bell Rings. The song is somewhat smoother, and is, perhaps, caught from "Blow, blow thou winter's wind," in "As You Like It." GENTIA, sola. Cruel the bloody war, Cruel the winter snows, Cruel the chilly wind That from the cold south blows; But one thing crueller than these My wonted rest denies, And that's the bitter, hopeless love That in my bosom lies. This may have been written in my brother's thirteenth or fourteenth year. The Valentines may bear transcription in a biographical sketch, for the sake of the remarks appended to them by the Author. I. Since first I saw thy angel face, Thy modest mien, and heavenly grace, My heart is altogether lost, Nor day, nor night, I rest can find, But hopes and fears distract my mind. 1813. I sometimes fancy that I see But soon, too soon, the pleasing dream Is borne down black despair's rough stream. Then demons foul impress my brain With images of foul disdain, And tell me that I love in vain. Mary, the beam of thy bright eyes Can drive despair's black night away, Thy ever faithful Valentine. II. Oft I've determined to disclose But when the time to speak is come, Like any statue I am dumb, My foolish heart so fails me. Yet sure, from all I say and do, For whom my heart does burn. O, then, would Cupid fire thy breast, No swain on earth were half so blest "Such were my poetic effusions," the author remarks, "at sixteen and seventeen, which I thought very clever at eighteen. I might say of each of these trifles, A poor thing 'twas, but it expressed my fancy!' The second is not unlike a song of Bellay. I cannot think that there is any promise in my juvenilia; for there is no ambition, except to express common-place sensations in bad metaphors." More promise, perhaps, than if he had gone out of the way to hunt for originality. The two following are apparently of somewhat later date: I. How fair the bosom of our lake, When each rude wind is hush'd asleep, And summer's sighs, alone awake, Over the passive waters creep! How sweet, all silent and alone, To lie upon some islet green, Till I forget all I have known, And nothing know but that calm scene! Or let my spirit wander o'er The world, from common sight conceal'd,- So let the haze of distance veil Remembrance of all things below, Ah! once in such a dream I spent Still wishing, never discontent, All things I hoped, [and] all believed. And will that hope, that faith intense, Oh yes! fair nature's influence Can that unearthly state restore. II. "Mis-shapen chaos of well-seeming form."-Shakspeare. A heart is mine all things intending,- Still for what earth holds not sighing. The following exercise was written in the first year of his residence at Oxford : THE HORSES OF LYSIPPUS. For ever blest be that victorious hour That yon fair wanderers freed from tyrant's power! As in old time their god-like part they bore On Adriatic or Byzantine shore; Or, as in nobler age and brighter clime, Beneath Lysippus' hand they rose sublime, Smiled on the steeds, and claim'd them for his own. Heave their broad chests, and hard their nostrils strain. Superb their course from heaven's meridian height |