Rhythm and Will in Victorian PoetryCambridge University Press, 1999/04/22 - 272 ページ In Rhythm and Will in Victorian Poetry, first published in 1999, Matthew Campbell explores the work of four Victorian poets - Tennyson, Browning, Hopkins and Hardy - as they show a consistent and innovative concern with questions of human agency and will. The Victorians saw the virtues attendant upon a strong will as central to themselves and to their culture, and Victorian poetry strove to find an aesthetic form to represent this sense of the human will. Through close study of the metre, rhyme and rhythm of a wide range of poems - including monologue, lyric and elegy - Campbell reveals how closely technical questions of poetics are related, in the work of these poets, to issues of psychology, ethics and social change. He goes on to discuss more general questions of poetics, and the implications of the achievement of the Victorian poets in a wider context, from Milton through Romanticism and into contemporary critical debate. |
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... poetic form and its relation to the concern that the poets considered here show with decision , action and event . It seeks to describe how , in lyric , narrative , dramatic and elegiac forms , these poets construct versions of a ...
... poetic form and its relation to the concern that the poets considered here show with decision , action and event . It seeks to describe how , in lyric , narrative , dramatic and elegiac forms , these poets construct versions of a ...
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... poem ( not quoted by Hallam ) a few lines after this , describing just what the bodily experi- ence of this will ... poem , will be given by the goddess to this man , as she says to Paris that she will ' push thee forward ' . Her way is ...
... poem ( not quoted by Hallam ) a few lines after this , describing just what the bodily experi- ence of this will ... poem , will be given by the goddess to this man , as she says to Paris that she will ' push thee forward ' . Her way is ...
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... poem, or new form available to the subject who is the artist, tug this poetry into the challenge of something that ... poem so innovative it is still nearly unreadable, sees action, event and character often circling around themselves ...
... poem, or new form available to the subject who is the artist, tug this poetry into the challenge of something that ... poem so innovative it is still nearly unreadable, sees action, event and character often circling around themselves ...
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... poem as sonic form , so Pope might say , can convey an experience of the corporeal , of move- ment and of effort . Such a sense of the corporeal is great in all of Samson's speeches too , a wrecked heroic metre spoken from the wreck of ...
... poem as sonic form , so Pope might say , can convey an experience of the corporeal , of move- ment and of effort . Such a sense of the corporeal is great in all of Samson's speeches too , a wrecked heroic metre spoken from the wreck of ...
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目次
1 | |
13 | |
PART TWO Monologue and monodrama | 97 |
PART THREE Making a will | 155 |
Notes | 239 |
Bibliography | 259 |
Index | 269 |
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active aesthetic agency anapaest Armstrong Arthur Hallam artist attempts Barrett beat body Browning Browning's Cambridge character Christopher Ricks Coleridge conception consciousness criticism dead death Dennis Taylor describes dramatic monologue drift echo effect elegy English Eric Griffiths Essays existence experience feeling final Gerard Manley Hopkins ghost gives Guido Hallam Tennyson Hardy's heart human iambic iambs imagined language Lippo London lyric Macmillan Mariana Maud meaning Memoriam metre metrical Milton mind mood move movement nature nineteenth-century objects Oxford University Press passage passion passive perception picture poem poem's poet poet's poetic Pompilia possible prosody reader reading rhyme rhythm rhythmic Robert Bridges says sonic Sordello soul sound speak speaker speech sprung rhythm stanza stress strives suggests syllables T. S. Eliot thee thing Thomas Hardy thought tion Ulysses verb Victorian Poetry voice W. B. Yeats word Wordsworth writing Yeats