Rhythm and Will in Victorian PoetryCambridge University Press, 1999/04/22 - 272 ページ In Rhythm and Will in Victorian Poetry, first published in 1999, Matthew Campbell explores the work of four Victorian poets - Tennyson, Browning, Hopkins and Hardy - as they show a consistent and innovative concern with questions of human agency and will. The Victorians saw the virtues attendant upon a strong will as central to themselves and to their culture, and Victorian poetry strove to find an aesthetic form to represent this sense of the human will. Through close study of the metre, rhyme and rhythm of a wide range of poems - including monologue, lyric and elegy - Campbell reveals how closely technical questions of poetics are related, in the work of these poets, to issues of psychology, ethics and social change. He goes on to discuss more general questions of poetics, and the implications of the achievement of the Victorian poets in a wider context, from Milton through Romanticism and into contemporary critical debate. |
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Matthew Campbell. - In Rhythm and Will in Victorian Poetry , Matthew Campbell explores the work of four Victorian poets - Tennyson , Browning , Hopkins and Hardy - as they show a consistent and innovative concern with questions of human ...
Matthew Campbell. - In Rhythm and Will in Victorian Poetry , Matthew Campbell explores the work of four Victorian poets - Tennyson , Browning , Hopkins and Hardy - as they show a consistent and innovative concern with questions of human ...
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... poetry has passed from the skills imparted to many students and scholars of poetry alike . Conse- quently , I have attempted to scan the rhythms of the poems discussed in this book with a methodology derived from the classical model ...
... poetry has passed from the skills imparted to many students and scholars of poetry alike . Conse- quently , I have attempted to scan the rhythms of the poems discussed in this book with a methodology derived from the classical model ...
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... poets here , finding and describing a ' rhythm of will ' serves as a key means of showing its formal embodiment in Victorian poetry . Tennyson's spe- aker in In Memoriam tells us that he knows better than others , ' How much of act at ...
... poets here , finding and describing a ' rhythm of will ' serves as a key means of showing its formal embodiment in Victorian poetry . Tennyson's spe- aker in In Memoriam tells us that he knows better than others , ' How much of act at ...
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... poetry which seeks for a rhythm of will . The dilemma which is presented to Paris captures not only a Carlylean account of history as the individual responding to crisis , but it captures the way in which the poetry that wished to work ...
... poetry which seeks for a rhythm of will . The dilemma which is presented to Paris captures not only a Carlylean account of history as the individual responding to crisis , but it captures the way in which the poetry that wished to work ...
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... poetry, working one with or against the other, within or outside metrical norms or inventions. An attention to prosodic practice in Victorian poetry is no mere technical matter. Rather, it enables us to listen for the rhythms of will ...
... poetry, working one with or against the other, within or outside metrical norms or inventions. An attention to prosodic practice in Victorian poetry is no mere technical matter. Rather, it enables us to listen for the rhythms of will ...
目次
1 | |
13 | |
PART TWO Monologue and monodrama | 97 |
PART THREE Making a will | 155 |
Notes | 239 |
Bibliography | 259 |
Index | 269 |
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active aesthetic agency anapaest Armstrong Arthur Hallam artist attempts Barrett beat body Browning Browning's Cambridge character Christopher Ricks Coleridge conception consciousness criticism dead death Dennis Taylor describes dramatic monologue drift echo effect elegy English Eric Griffiths Essays existence experience feeling final Gerard Manley Hopkins ghost gives Guido Hallam Tennyson Hardy's heart human iambic iambs imagined language Lippo London lyric Macmillan Mariana Maud meaning Memoriam metre metrical Milton mind mood move movement nature nineteenth-century objects Oxford University Press passage passion passive perception picture poem poem's poet poet's poetic Pompilia possible prosody reader reading rhyme rhythm rhythmic Robert Bridges says sonic Sordello soul sound speak speaker speech sprung rhythm stanza stress strives suggests syllables T. S. Eliot thee thing Thomas Hardy thought tion Ulysses verb Victorian Poetry voice W. B. Yeats word Wordsworth writing Yeats