Rhythm and Will in Victorian PoetryCambridge University Press, 1999/04/22 - 272 ページ In Rhythm and Will in Victorian Poetry, first published in 1999, Matthew Campbell explores the work of four Victorian poets - Tennyson, Browning, Hopkins and Hardy - as they show a consistent and innovative concern with questions of human agency and will. The Victorians saw the virtues attendant upon a strong will as central to themselves and to their culture, and Victorian poetry strove to find an aesthetic form to represent this sense of the human will. Through close study of the metre, rhyme and rhythm of a wide range of poems - including monologue, lyric and elegy - Campbell reveals how closely technical questions of poetics are related, in the work of these poets, to issues of psychology, ethics and social change. He goes on to discuss more general questions of poetics, and the implications of the achievement of the Victorian poets in a wider context, from Milton through Romanticism and into contemporary critical debate. |
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ix ページ
... RHYTHMS OF WILL 2 Rhythms of will 3 Tennyson , Browning and the absorbing soul PART TWO : MONOLOGUE AND MONODRAMA 4 Browning and the element of action 5 " Tis well that I should bluster ' : Tennyson's monologues PART THREE : MAKING A ...
... RHYTHMS OF WILL 2 Rhythms of will 3 Tennyson , Browning and the absorbing soul PART TWO : MONOLOGUE AND MONODRAMA 4 Browning and the element of action 5 " Tis well that I should bluster ' : Tennyson's monologues PART THREE : MAKING A ...
xi ページ
... rhythm at all . Whatever the method of description , all the prosodist is describing is the perception , in which all who listen may share . The habit of listening to the rhythms of poetry has passed from the skills imparted to many ...
... rhythm at all . Whatever the method of description , all the prosodist is describing is the perception , in which all who listen may share . The habit of listening to the rhythms of poetry has passed from the skills imparted to many ...
xii ページ
... rhythms of the poets here , finding and describing a ' rhythm of will ' serves as a key means of showing its formal embodiment in Victorian poetry . Tennyson's spe- aker in In Memoriam tells us that he knows better than others , ' How ...
... rhythms of the poets here , finding and describing a ' rhythm of will ' serves as a key means of showing its formal embodiment in Victorian poetry . Tennyson's spe- aker in In Memoriam tells us that he knows better than others , ' How ...
4 ページ
... rhythms in the way that a speech such as Pallas Athene's is conveyed in a poetry which seeks for a rhythm of will . The dilemma which is presented to Paris captures not only a Carlylean account of history as the individual responding to ...
... rhythms in the way that a speech such as Pallas Athene's is conveyed in a poetry which seeks for a rhythm of will . The dilemma which is presented to Paris captures not only a Carlylean account of history as the individual responding to ...
5 ページ
... rhythm. Bringing these concerns together, it describes the work- ings of human will through poetic effect both in the narrative and lyrical forms which move towards dramatic monologue and in Victorian versions of elegy. The means of ...
... rhythm. Bringing these concerns together, it describes the work- ings of human will through poetic effect both in the narrative and lyrical forms which move towards dramatic monologue and in Victorian versions of elegy. The means of ...
目次
1 | |
13 | |
PART TWO Monologue and monodrama | 97 |
PART THREE Making a will | 155 |
Notes | 239 |
Bibliography | 259 |
Index | 269 |
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active aesthetic agency anapaest Armstrong Arthur Hallam artist attempts Barrett beat body Browning Browning's Cambridge character Christopher Ricks Coleridge conception consciousness criticism dead death Dennis Taylor describes dramatic monologue drift echo effect elegy English Eric Griffiths Essays existence experience feeling final Gerard Manley Hopkins ghost gives Guido Hallam Tennyson Hardy's heart human iambic iambs imagined language Lippo London lyric Macmillan Mariana Maud meaning Memoriam metre metrical Milton mind mood move movement nature nineteenth-century objects Oxford University Press passage passion passive perception picture poem poem's poet poet's poetic Pompilia possible prosody reader reading rhyme rhythm rhythmic Robert Bridges says sonic Sordello soul sound speak speaker speech sprung rhythm stanza stress strives suggests syllables T. S. Eliot thee thing Thomas Hardy thought tion Ulysses verb Victorian Poetry voice W. B. Yeats word Wordsworth writing Yeats