The Quarterly Review, 第 120 巻William Gifford, Sir John Taylor Coleridge, John Gibson Lockhart, Whitwell Elwin, William Macpherson, William Smith, Sir John Murray (IV), Rowland Edmund Prothero (Baron Ernle) John Murray, 1866 |
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... Reynolds , with notices of some of his Contemporaries . Commenced by Charles Robert Leslie , R.A. cluded by Tom Taylor , M.A. Illustrations . 2 Vols . 8vo . London , 1865 Continued and con- With Portraits and - - V. - The Albert ...
... Reynolds , with notices of some of his Contemporaries . Commenced by Charles Robert Leslie , R.A. cluded by Tom Taylor , M.A. Illustrations . 2 Vols . 8vo . London , 1865 Continued and con- With Portraits and - - V. - The Albert ...
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... Reynolds , and we propose to follow that gifted and worthy man to the close of his distinguished life . We have already said that in the generation which preceded that of Reynolds , English painting had sunk very low . But when art has ...
... Reynolds , and we propose to follow that gifted and worthy man to the close of his distinguished life . We have already said that in the generation which preceded that of Reynolds , English painting had sunk very low . But when art has ...
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... Reynolds , before the age of Raphael are better than the painters since the time of Carlo Maratti . The reason is , the former have nothing but truth in view ; whereas the others do not even endeavour to see for themselves , but receive ...
... Reynolds , before the age of Raphael are better than the painters since the time of Carlo Maratti . The reason is , the former have nothing but truth in view ; whereas the others do not even endeavour to see for themselves , but receive ...
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... Reynolds . In his own style Cotes was a commendable artist . He belonged to the class of what Sir Joshua called the cold painter of portraits . ' If allow- ance is made for the stiffness of his forms , he was a good copyist of literal ...
... Reynolds . In his own style Cotes was a commendable artist . He belonged to the class of what Sir Joshua called the cold painter of portraits . ' If allow- ance is made for the stiffness of his forms , he was a good copyist of literal ...
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... Reynolds , turning to Sir Joshua , how happens it that we never meet with any pictures by Jervas ? ' ' Because , ' he replied , they are all up in the garret . ' There the common- place portraits of past generations are conveyed to make ...
... Reynolds , turning to Sir Joshua , how happens it that we never meet with any pictures by Jervas ? ' ' Because , ' he replied , they are all up in the garret . ' There the common- place portraits of past generations are conveyed to make ...
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admirable Allan Cunningham ancient animal appears architecture army artist authority Baker beauty believe Beni Hassan Bessemer Bishop Bokhara burrow Central Asia century Chanson Chanson de Roland character Charlemagne Christ Church Colonel Wellesley colony colour command Court criticism decarburization Despatches Duke Durendal England English entablature Eyre fact Farington favour feet Fergusson France French galleys Ganelon give Gleig Gondokoro Gospel Government Governor Greek habits hand honour India interest invention Irenæus iron Jamaica Jaxartes Jesus Karl Kashgar King Kokand labour letter look Lord Lord Mornington Marteilhe ment Messiah metal mind nature negroes nest never Nile Northcote observation officers opinion Oxus painter Parliament passed persons Pharisees portion portrait possession present principles question Reform remarkable Renaud Reynolds Roland Roman says side Sir Joshua steel tion whole Wilson wood words
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