The Living Authors of America: 1st serStringer and Townsend, 1850 - 365 ページ |
この書籍内から
検索結果1-5 / 17
11 ページ
... difference , as the space was much smaller . The artist now buried himself in the profoundest reverie ; while he stood thus lost in abstraction , the squire said to himself , " Ah ! now we shall have a subject worthy of Sal- vator Rosa ...
... difference , as the space was much smaller . The artist now buried himself in the profoundest reverie ; while he stood thus lost in abstraction , the squire said to himself , " Ah ! now we shall have a subject worthy of Sal- vator Rosa ...
12 ページ
... difference between them . This called up our critic , who said he would endeavor to describe the difference . " Let us select , " said he , " the cele- brated tent scene of Richard the Third : it is , of all others , that in which the ...
... difference between them . This called up our critic , who said he would endeavor to describe the difference . " Let us select , " said he , " the cele- brated tent scene of Richard the Third : it is , of all others , that in which the ...
16 ページ
... difference of stature . The real dramatist will so apportion the incidents that the critical eye will at once recognise their affinity to each other , and the necessity for the existence of each , with as much logical readiness as the ...
... difference of stature . The real dramatist will so apportion the incidents that the critical eye will at once recognise their affinity to each other , and the necessity for the existence of each , with as much logical readiness as the ...
27 ページ
... difference between a pas- sion and a monomania lies in the pursuit of the object , and the overvaluing of it . In one sense every passion may be termed a monomania , but , though the line of demarcation varies in dif- ferent individuals ...
... difference between a pas- sion and a monomania lies in the pursuit of the object , and the overvaluing of it . In one sense every passion may be termed a monomania , but , though the line of demarcation varies in dif- ferent individuals ...
43 ページ
... difference very wide ; being no less than between action and narration . The dramatist includes the novelist and the romancist . The latter may eke out his short- comings by description , as a man in an equivocal position may explain ...
... difference very wide ; being no less than between action and narration . The dramatist includes the novelist and the romancist . The latter may eke out his short- comings by description , as a man in an equivocal position may explain ...
他の版 - すべて表示
多く使われている語句
Acadian admiration Alnwick Castle American Annabel Lee beauty beneath breath Bryant Byron Cachuca Carmelite character charm Coleridge consider Cooper critic Dana dark death dramatist dream earth elaborate elegant Emerson England English evidence expression fact fair feel force genius George Sand give gondola grave Halleck hand hath heard heart heaven HENRY WADSWORTH LONGFELLOW human HYPOLITO intellect JARED SPARKS Kirkland lady land Leigh Hunt light lines living Longfellow look Margaret Fuller mind Miss Fuller monomania nation Natty Bumppo nature never o'er once opinion passion peculiar poem poet poet's poetical poetry Prescott present prose quote Ralph Waldo Emerson reader remarks romance scene seems Shakspeare singular smile soul sound spirit stanza style sure sweet thee things thou thought throw tion true truth verse voice Willis woman word Wordsworth writings
人気のある引用
130 ページ - Then this ebony bird beguiling my sad fancy into smiling By the grave and stern decorum of the countenance it wore,— " Though thy crest be shorn and shaven, thou," I said, " art sure no craven, Ghastly grim and ancient Raven wandering from the Nightly shore: Tell me what thy lordly name is on the Night's Plutonian shore !" Quoth the Raven,
127 ページ - The angels, not half so happy in Heaven, Went envying her and me Yes! that was the reason (as all men know. In this kingdom by the sea) That the wind came out of the cloud by night. Chilling and killing my Annabel Lee.
208 ページ - THE groves were God's first temples. Ere man learned To hew the shaft, and lay the architrave, And spread the roof above them — ere he framed The lofty vault, to gather and roll back The sound of anthems ; in the darkling wood, Amid the cool and silence, he knelt down, And offered to the Mightiest solemn thanks And supplication.
129 ページ - But the fact is I was napping, and so gently you came rapping, And so faintly you came tapping, tapping at my chamber door, That I scarce was sure I heard you" — here I opened wide the door; Darkness there and nothing more.
128 ページ - Once upon a midnight dreary, while I pondered, weak and weary, Over many a quaint and curious volume of, forgotten lore, — While I nodded, nearly napping, suddenly there came a tapping, As of some one gently rapping, rapping at my chamber door. "'Tis some visitor," I muttered, "tapping at my chamber door: Only this and nothing more.
84 ページ - And marked the mild, angelic air, The rapture of repose that's there, The fixed yet tender traits that streak The languor of the placid cheek, And — but for that sad shrouded eye, That fires not, wins not, weeps not now, And but for that chill, changeless brow...
194 ページ - I see before me the Gladiator lie : He leans upon his hand — his manly brow Consents to death, but conquers agony, And his drooped head sinks gradually low — And through his side the last drops, ebbing slow From the red gash, fall heavy, one by one, Like the first of a thunder shower ; and now The arena swims around him : he is gone, Ere ceased the inhuman shout which hailed the wretch who won.
219 ページ - A countenance in which did meet Sweet records, promises as sweet; A Creature not too bright or good For human nature's daily food; For transient sorrows , simple wiles , Praise, blame, love, kisses, tears, and smiles.
127 ページ - Of many far wiser than we; And neither the angels in heaven above, Nor the demons down under the sea, Can ever dissever my soul from the soul Of the beautiful Annabel Lee: For the moon never beams, without bringing me dreams Of the beautiful Annabel Lee...
159 ページ - The village smithy stands ; The smith, a mighty man is he, With large and sinewy hands ; And the muscles of his brawny arms Are strong as iron bands. His hair is crisp, and black, and long, His face is like the tan ; His brow is wet with honest sweat, He earns whate'er he can, And looks the whole world in the face, For he owes not any man.