Extraordinary Actors: Essays on Popular Performers : Studies in Honor of Peter ThomsonJane Milling, Martin Banham University of Exeter Press, 2004 - 256 ページ Dangerous, outrageous, comic and committed, the extraordinary performers collected here have altered the history of popular entertainment in America and Europe. Some have rarely had their story told, others are familiar figures. The essays explore what made these performers extraordinary: how they were trained, how they practised their art, how they were received, celebrated, satirised and mythologised. From the explosive acting of Richard Burbage to the dislocating quirkiness of Peter Lorre, from the dangerous satire of commedia dell'arte troupes in Russia to the bittersweet collaboration of Morecambe and Wise, this volume explores what made these actors popular. Each contributor has taken care to set the performer and their work in cultural context, so that the collection as a whole charts the changing relationship between acting and popular culture over the last four hundred years. Part One examines seventeenth and eighteenth century performers, as they built a sense of the excitement and possibility of theatre with audiences in Britain and Europe. The idea of acting, its art and popular practice was being formed during this period. Part Two explores nineteenth-century popular performers who became cultural icons and developed popular performance that contributed to the regeneration of national identity. Part Three looks at twentieth-century performers whose acting continued to reach popular audiences in remarkable ways, across national boundaries, as the acting industry underwent transformation in the face of technological change This is a unique collection of essays on performers such as Richard Burbage, Sarah Siddons, Peter Lorre, George Formby, Laurel and Hardy, and Morecombe and Wise. It provides an outstanding selection of contributors: Richard Boon, Colin Chambers, Chris Dymkowski, Ger Fitzgibbon, Viv Gardner, Baz Kershaw, Alexander Leggatt, Chris McCullough, Jan McDonald, Joel Schechter, Laurence Senelick, Martin White, and Don Wilmeth. |
この書籍内から
検索結果1-3 / 42
72 ページ
... British settlement , followed by the establishment of a new and diverse nation - was never easy and required considerable bravery . Indeed , most actors and companies found their existence in the colonies far more difficult than in even ...
... British settlement , followed by the establishment of a new and diverse nation - was never easy and required considerable bravery . Indeed , most actors and companies found their existence in the colonies far more difficult than in even ...
75 ページ
... British provincial theatre practice.10 And the actors demonstrated acting styles typified by what was also seen on ... British actors — there was a steady stream of visiting actors , most British but some from other nations , yet all ...
... British provincial theatre practice.10 And the actors demonstrated acting styles typified by what was also seen on ... British actors — there was a steady stream of visiting actors , most British but some from other nations , yet all ...
82 ページ
... British crowd , they fired point blank into the crowd , killing at least twenty - two and wounding one hundred and forty - four . More than symbolically now , the primacy of British actors on the American stage was over , even though ...
... British crowd , they fired point blank into the crowd , killing at least twenty - two and wounding one hundred and forty - four . More than symbolically now , the primacy of British actors on the American stage was over , even though ...
目次
List of Illustrations | 9 |
Charles Mathews Snr as his myriad characters in A Trip | 12 |
Jane Milling | 21 |
著作権 | |
他の 16 セクションは表示されていません
多く使われている語句
Abbey acting actors actress American appear Ashwell audience became become Betterton Brecht British Burbage called Cambridge cards career century character comedy comic continued court critic cultural dance death drama early effect English example experience fact Figure film Formby Frank Fuchs George give interest January John kind later leading live London look manager Millar Morecambe and Wise mother move musical nature never notes offered once original performance perhaps Peter photographs picture play Players political popular postcards present Press production professional records Richard roles Sarah Siddons scene seems seen sense Shakespeare Siddons song stage star story success suggests theatre theatrical things tion tour turn University University Press wanted wife Willie women writing Yiddish York young