Chips from Englisgh [!] Literature ...E. Shlegel, 1875 - 101 ページ |
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10 ページ
... language of feeling " . This is a great admission after so much censure , and in all we may concur except in the expression ,, dramatic " ; which quality is as a rule no ornament to a novel , and as inappropriate as a bouquet of wax ...
... language of feeling " . This is a great admission after so much censure , and in all we may concur except in the expression ,, dramatic " ; which quality is as a rule no ornament to a novel , and as inappropriate as a bouquet of wax ...
13 ページ
... language of Macaulay ; ( to vindicate ) ,, as far as truth will permit , the memory of a celebrated man who can no longer vindicate himself , showing forth his courage , and other generous phases of his character . Disraeli has in his ...
... language of Macaulay ; ( to vindicate ) ,, as far as truth will permit , the memory of a celebrated man who can no longer vindicate himself , showing forth his courage , and other generous phases of his character . Disraeli has in his ...
16 ページ
... language is sufficiently dignified for a book , and not too true to nature , as is the case in the account of the contention of the gladiators in the tavern in ,, the Last Days of Pompeii " , which otherwise is certainly the best or one ...
... language is sufficiently dignified for a book , and not too true to nature , as is the case in the account of the contention of the gladiators in the tavern in ,, the Last Days of Pompeii " , which otherwise is certainly the best or one ...
27 ページ
... language employed from The Last Days of Pompeii " . The style of Disraeli is both elevated , and extremely simple , two qualities rarely combined in the same author , one instance of which is the following . He looked around ; it was ...
... language employed from The Last Days of Pompeii " . The style of Disraeli is both elevated , and extremely simple , two qualities rarely combined in the same author , one instance of which is the following . He looked around ; it was ...
36 ページ
... language his walk home alone from Cherbury , his lingering and musing upon the solemn scene and solaced by the endearing associations abandoning the dreams of ambition which sometimes urged him forwards . He wondered why he should ever ...
... language his walk home alone from Cherbury , his lingering and musing upon the solemn scene and solaced by the endearing associations abandoning the dreams of ambition which sometimes urged him forwards . He wondered why he should ever ...
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Aholibamah Amkg Anah anders beiden besonders Bride of Abydos Bulwer Cadurcis Cain character Childe Harold Corsair denen Dichter Dichtung Dichtungen Don Juan drama Edinburgh Review Einfluss Engel England English erst ersten finden Fluth Gedanken Gedichte Gedichten Geist Geister genius gerade Giaour gleich Gott Grunde habe Heaven Helden Hunt Idenstein jahre Japhet jetzt können könnte kritik Lady Annabel Lara lässt Leben Leigh Lett letter Liebe London Lord Byron macht Manfred Mary Wollstonecraft Shelley Medwin Menschen Miss Lee Moore a. a. o. p. Moore's Murray muss Namen Noah O'Neill O'Neill III orientalischen poem poet poetry Pope Reim Review sagt scheint Schilderung schon schreibt sein seinen Shakespeare Shelley Shelley's Siege of Corinth Siegendorf soll Southey später sprache spricht Stelle Stellen Stralenheim thee Theil thou Venetia verse viel Weise weiter wenig Werke Werner wieder wohl words Worte wurde zeigt Zeilen Zeit zwei
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34 ページ - To sit on rocks, to muse o'er flood and fell, To slowly trace the forest's shady scene, Where things that own not man's dominion dwell, And mortal foot hath ne'er or rarely been ; To climb the trackless mountain all unseen, With the wild flock that never needs a fold ; Alone o'er steeps and foaming falls to lean ; This is not solitude; 'tis but to hold Converse with Nature's charms, and view her stores unroll'd.
45 ページ - He, who grown aged in this world of woe, In deeds, not years, piercing the depths of life, So that no wonder waits him ; nor below Can love, or sorrow, fame, ambition, strife, Cut to his heart again with the keen knife Of silent sharp endurance : he can tell Why thought seeks refuge in lone caves, yet rife With airy images, and shapes which dwell Still...
34 ページ - WHEN he, who adores thee, has left but the name Of his fault and his sorrows behind, Oh ! say wilt thou weep, when they darken the fame Of a life that for thee was resign'd...
9 ページ - Tis to create, and in creating live A being more intense, that we endow With form our fancy, gaining as we give The life we image, even as I do now.
34 ページ - midst the crowd, the hum, the shock of men, To hear, to see, to feel, and to possess, And roam along, the world's tired denizen, With none who bless us, none whom we can bless ; Minions of splendour shrinking from distress ! None that, with kindred consciousness endued, If we were not, would seem to smile the less Of all that flatter'd, follow'd, sought and sued ; This is to be alone ; this, this is solitude ! XXVII.
11 ページ - ... so vast a command of the whole eloquence of scorn, misanthropy and despair. That Marah was never dry. No art could sweeten, no draughts could exhaust, its perennial waters of bitterness. Never was there such variety in monotony as that of Byron. From maniac laughter to piercing lamentation, there was not a single note of human anguish of which he was not master.
22 ページ - Roll on, thou deep and dark blue Ocean — roll [ Ten thousand fleets sweep over thee in vain ; Man marks the earth with ruin — his control Stops with the shore ; — upon the watery plain The wrecks are all thy deed...
9 ページ - She was like me in lineaments — her eyes, Her hair, her features, all, to the very tone Even of her voice, they said were like to mine; But soften'd all, and temper'd into beauty; She had the same lone thoughts and wanderings, The quest of hidden knowledge, and a mind To comprehend the universe : nor these Alone, but with them gentler powers than mine, Pity, and smiles, and tears...
21 ページ - Its gaudy colours spreads on every place ; The face of nature we no more survey, All glares alike, without distinction gay ; But true expression, like th' unchanging sun, Clears and improves whate'er it shines upon ; It gilds all objects, but it alters none.
34 ページ - She is coming, my own, my sweet; Were it ever so airy a tread, My heart would hear her and beat, Were it earth in an earthy bed; My dust would hear her and beat, Had I lain for a century dead; Would start and tremble under her feet, And blossom in purple and red.