An Art of Our Own: The Spiritual in Twentieth-century ArtShambhala, 1989 - 518 ページ This work explores the spiritual intentions and achievements of 20th-century art from the Cubist revolution to Postmodernism. The book reveals that many artists considered the spirit as seriously as they regarded their palette. It looks at artists such as: Kandinsky and Mondrian, who were Theosophists; Rouault and Warhol, who were devout Catholics; and many other artists including Rothko, O'Keefe and Hepworth, who are understood in a fresh way through their own writings and through a thorough examination of their art. |
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328 ページ
... Reinhardt and Merton acquired their taste for punning , intricately knit language . They remained friends for life and in their correspondence over the years addressed each other in part as they had in their youth , with a mocking ...
... Reinhardt and Merton acquired their taste for punning , intricately knit language . They remained friends for life and in their correspondence over the years addressed each other in part as they had in their youth , with a mocking ...
329 ページ
... Reinhardt's first great paintings were made , was one of the sources of his mature art . Yet his art was not primarily about ideas . When an interviewer in 1966 suggested this possibility to him , he at once affirmed his alle- giance ...
... Reinhardt's first great paintings were made , was one of the sources of his mature art . Yet his art was not primarily about ideas . When an interviewer in 1966 suggested this possibility to him , he at once affirmed his alle- giance ...
334 ページ
... Reinhardt managed to retain the values of contemplative Buddhism without being seized into its rituals : The fine artist should have a fine mind , “ free of all passion , ill - will and delusion . " The fine artist need not sit cross ...
... Reinhardt managed to retain the values of contemplative Buddhism without being seized into its rituals : The fine artist should have a fine mind , “ free of all passion , ill - will and delusion . " The fine artist need not sit cross ...
目次
A Religious ArtSometimes | 20 |
Early Guides | 29 |
Wassily Kandinsky in the Years | 40 |
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abstract art aesthetic Alfred Stieglitz ancient artists avant-garde Bauhaus beauty Bissier Brancusi century Cézanne classic Collection color composition Constantin Brancusi Constructivism Constructivist convey Copyright ARS NY/ADAGP Copyright ARS NY/SPADEM create creative Cubism culture Dag Hammarskjöld Duchamp early evokes experience explored expression eyes feel figure František Kupka Gallery Gift Gropius Hammarskjöld Henri Matisse HM Ecrits human icon ideas inner intention Isamu Noguchi Kandinsky CW Kandinsky's Kasimir Malevich Klee Kupka language later light living look Malevich Mark Rothko marketplace Matisse's meaning meditation metaphysical mind Modern Art Mondrian CW moved Museum of Modern nature nonetheless Oil on canvas Pablo Picasso painter painting Paul Klee Photo photograph Picasso Piet Mondrian reality reflect Reinhardt religious Rothko sculpture sense speak spiritual in art Stieglitz stone studio Suprematism Suprematist symbols teaching theme Theosophy things thought tion tradition twentieth-century art universal viewer vision visual Wassily Kandinsky words writings wrote York