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of gratitude shed by the musician drew sympathizing drops from many of the spectators."

Mr. Holcroft wrote little verse, but had he chosen that medium of thought, would probably have excelled in it. The story of "Gaffer Gray" has, in common with many short poems of Southey written at the same period, the great fault of setting class against class, a fault which generally involves a want of truth; but it does its work admirably, and produces exactly the effect intended in the fewest possible words.

"Ho! why dost thou shiver and shake,

Gaffer Gray,

And why doth thy nose look so blue ?"
""Tis the weather that's cold,

'Tis I'm grown very old,

And my doublet is not very new,
Well-a-day!"

"Then line thy worn doublet with ale,
Gaffer Gray,

And warm thy old heart with a glass."
"Nay, but credit I've none,

And my money's all gone;

Then say how may that come to pass?
Well-a-day!"

"Hie away to the house on the brow,
Gaffer Gray;

And knock at the jolly priest's door."
"The priest often preaches

Against worldly riches;

But ne'er gives a mite to the poor,
Well-a-day!"

"The lawyer lives under the hill,

Gaffer Gray,

Warmly fenced both in back and in front."
"He will fasten his locks,

And will threaten the stocks,

Should he ever more find me in want,
Well-a-day!"

"The squire has fat beeves and brown ale

Gaffer Gray,

And the season will welcome you there."

"His fat beeves and his beer

And his merry new year

Are all for the flush and the fair,
Well-a-day!"

"My keg is but low, I confess,
Gaffer Gray:

What then? While it lasts, man, we'll live."

"The poor man alone,

When he hears the poor moan,

Of his morsel a morsel will give,
Well-a-day!"

This author, so gifted, so various, and so laborious, one of the most remarkable of self-educated men, died in London on the 3d of March, 1809, after a long and painful illness, at the age of sixty-three; I fear poor.

VIII.

AUTHORS ASSOCIATED WITH PLACES.

BEAUMONT AND FLETCHER.

THERE are some places that seem formed by nature for doub ling and redoubling the delight of reading and dreaming over the greater poets. Living in the country, one falls into the habit of choosing out a fitting nest for that enjoyment, and with Beaumont and Fletcher especially, to whose dramatic fascinations I have the happy knack of abandoning myself, without troubling myself in the least about their dramatic faults (I do not speak here of graver sins, observe, gentle reader); their works never seem to me half so delightful as when I pore over them in the silence and solitude of a certain green lane, about half a mile from home; sometimes seated on the roots of an old fantastic beech, sometimes on the trunk of a felled oak, or sometimes on the ground itself, with my back propped lazily against a rugged elm.

In that very lane am I writing on this sultry June day, luxuriating in the shade, the verdure, the fragrance of hay-field and of bean field, and the absence of all noise, except the song of birds, and that strange mingling of many sounds, the whir of a thousand forms of insect life, so often heard among the general hush of a summer noon.

Woodcock Lane is so called, not after the migratory bird so dear to sportsman and to epicure, but from the name of a family, who, three centuries ago, owned the old manor-house, a part of which still adjoins it, just as the neighboring eminence of Beech Hill is called after the ancient family of De la Beche, rather than from the three splendid beech-trees that still crown its summit; and this lane would probably be accounted beautiful by any one who loved the close recesses of English scenery, even though the person in question should happen not to have haunted it these fifty years as I have done.

It is a grassy lane, edging off from the high-road, nearly two miles in length, and varying from fifty to a hundred yards in width. The hedgerows on either side are so thickly planted with tall elms as almost to form a verdant wall, for the greater part doubly screened by rows of the same stately tree, the down-dropping branches forming close shady footpaths on either side, and leaving in the center a broad level strip of the finest turf, just broken, here and there, by cart-tracks, and crossed by slender rills. The effect of these tall solemn trees, so equal in height, so unbroken, and so continuous, is quite grand and imposing as twilight comes on; especially when some slight bend in the lane gives to the outline almost the look of an amphitheater.

On the southern side, the fields slope with more or less abruptness to the higher lands above, and winding footpaths and close woody lanes lead up the hill to the breezy common. To the north, the fields are generally of pasture-land, broken by two or three picturesque farm-houses, with their gable ends, their tall chimneys, their trim gardens, and their flowery orchards; and varied by a short avenue, leading to the equally picturesque old manor-house, of darkest brick and quaintest architecture. Over the gates, too, we catch glimpses of more distant objects. The large white mansion where my youth was spent, rising from its plantations, and the small church, embowered in trees, whose bell is heard at the close of day, breathing of peace and holiness.

Toward the end of the lane, a bright clear brook comes dancing over a pebbly bed, bringing with it all that water is wont to bring of life, of music, and of color. Gayly it bubbles through banks adorned by the yellow flag, the flowering rush, the willow-herb, the meadow-sweet, and the forget-me-not; now expanding into a wide quiet pool, now contracted into a mimic rapid between banks that almost meet; and so the little stream keeps us company, giving, on this sunny day, an indescribable feeling of refreshment and coolness, until we arrive at the end of the lane, where it slants away to the right amid a long stretch of water-meadows; while we pause to gaze at the lovely scenery on the other hand, where a bit of marshy ground leads to the park paling and grand old trees of the Great House at Beech Hill, through an open grove of oaks, terminated by a piece of wild woodland, so wild, that Robin Hood might have taken it for a glade in his own Forest of merry Sherwood.

Except about half a mile of gravelly road, leading from the gate of the manor-house to one of the smaller farms, and giving by its warm orange tint, much of richness to the picture, there is nothing like a passable carriage-way in the whole length of the lane, so that the quiet is perfect.

Occasional passengers there are, however, gentle and simple; my friend, Mr. B., for instance, has just cantered past on his blood horse, with a nod and a smile, saying nothing, but apparently a good deal amused with my arrangements. And here comes a procession of cows going to milking, with an old attendant, still called the cow-boy, who, although they have seen me often enough, one should think, sitting underneath a tree writing, with my little maid close by hemming flounces, and my dog, Fanchon, nestled at my feet-still will start, as if they had never seen a woman before in their lives. Back they start, and then they rush forward, and then the old drover emits certain sounds, which it is to be presumed the cows understand; sounds so horribly discordant that little Fanchon-although to her, too, they ought to be familiar, if not comprehensible-starts up in a fright on her feet, deranging all the economy of my extempore desk, and well-nigh upsetting the inkstand. Very much frightened is my pretty pet, the arrantest coward that ever walked upon four legs! And so she avenges herself, as cowards are wont to do, by follow ing the cows, at safe distance, as soon as they are fairly past, and beginning to bark amain when they are nearly out of sight. Then follows a motley group of the same nature, colts, yearlings, calves, heifers, with a shouting boy and his poor shabby mongrel cur for driver. The poor cur wants to play with Fanchon, but Fanchon, besides being a coward, is also a beauty, and holds her state; although, I think, if he could but stay long enough, that the goodhumor of the poor merry creature would prove infectious, and beguile the little lady into a game of romps. Lastly, appears the most solemn troop of all, a grave company of geese and goslings, with the gander at their head, marching with the decorum and dignity proper to the birds who saved Rome. Fanchon, who once had an affair with a gander, in which she was notably worsted, retreats out of sight, and ensconoes herself between me and the tree

Besides these mere passing droves, we have a scattered little flock of ewes and lambs belonging to an industrious widow on the

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