Enter RODERIGO. Rod. I do follow here in the chase, not like a hound that hunts, but one that fills up the cry. My money is almost spent; I have been to-night exceedingly well čudgelled; and, I think, the issue will be - I shall have so much experience for my pains; and so, with no money at all, and a little more wit, return to Venice. Iago. How poor are they, that have not patience ! Though other things grow fair against the sun, [Exit. done, ACT III. SCENE I. Before the Castle. Enter Cassio and some Musicians. Cas. Masters, play here, I will content your pains, Something that's brief; and bid — good morrow, general ? [Music. Enter Clown. Clo. Why, masters, have your instruments been at Naples, that they speak i' the nose thus ? 1 Mus. How, sir, how ! Clo. Are these, I pray you, called wind instruments ? 1 Mus. Ay, marry, are they, sir. Clo. Marry, sir, by many a wind-instrument that I know. But, masters, here's money for you; and the general so likes your music, that he desires you of all loves, to make no more noise with it. 1 Mus. Well, sir, we will not. Clo. If you have any music that may not be heard, to't again; but, as they say, to hear music, the general does not greatly care. 1 Mus. We have none such, sir. Clo. Then put up your pipes in your bag, for I'll away. Go; vanish into air; away. [Exeunt Musicians. Cas. Dost thou hear, my honest friend? Clo. No, I hear not your honest friend; I hear you. Cas. Pr’ythee, keep up thy quillet. There's a poor piece of gold for thee; if the gentlewoman that attends the general's wife be stirring, tell her there's one Cassio entreats her a little favor of speech. Wilt thou do this? Clo. She is stirring; if she will stir hither, I shall seem to notify unto her. Enter Iago. Cas. Why, no; the day had broke I'll send her to you presently; Cas. I humbly thank you for't. I never knew A Florentine more kind and honest. Enter EMILIA. Emil. Good morrow, good lieutenant; I am sorry For your displeasure; but all will soon be well. The general, and his wife, are talking of it; And she speaks for you stoutly. The Moor replies, That he you hurt, is of great fame in Cyprus, And great affinity; and that, in wholesome wisdom, He might not but refuse you. But, he protests, he loves you; [Exit. [Exit. And needs no other suitor, but his likings, Yet, I beseech you, — 'Pray you, come in; I am much bound to you. [Exeunt. SCENE II. A Room in the Castle. Enter OTHELLO, Iago, and Gentlemen. Well, my good lord, I'll do't. Oth. This fortification, gentlemen,- shall we see't? Gent. We'll wait upon your lordship. [Exeunt. SCENE III. Before the Castle. Enter DESDEMONA, CASSIO, and EMILIA. Des. Be thou assured, good Cassio, I will do All my abilities in thy behalf. Emil. Good madam, do; I know it grieves my husband, As if the case were his. Des. O, that's an honest fellow.- Do not doubt, Cassio, But I will have my lord and you again As friendly as you were. Cas. Bounteous madam, Des. O sir, I thank you. You do love my lord; Ay, but, lady, That, I being absent, and my place supplied, Des. Do not doubt that; before Emilia here, Enter OTHELLO and Iago, at a distance. Madam, here comes Cas. Madam, I'll take my leave. Why, stay, Cas. Madam, not now; I am very ill at ease; Well, well, [Exit Cassio. Iago. Ha! I like not that. oth. What dost thou say? Iago. Nothing, my lord; or if-I know not what. Oth. Was not that Cassio, parted from my wife? Iago. Cassio, my lord ? No, sure, I cannot think it, I do believe 'twas he. Oth. Who is't you mean? Went he hence now? Oth. Not now, sweet Desdemona; some other time. The sooner, sweet, for you. No, not to-night. I shall not dine at home; Des. Why then, to-morrow night; or Tuesday morn; Oth. Pr’ythee, no more. Let him come when he will; Why, this is not a boon; I will deny thee nothing ; Des. Shall I deny you? no. Farewell, my lord. straight. Oth. Excellent wretch! Perdition catch my soul, Iago. My noble lord,- What dost thou say, Iago ? |