The Magic If: Stanislavski for Children |
この書籍内から
検索結果1-3 / 29
11 ページ
It will lead you logically to your correct bodily action , and your audience will believe in you as that character if your bodily actions are appropriate . Your audience will have to believe in you if you , yourself , believe in what ...
It will lead you logically to your correct bodily action , and your audience will believe in you as that character if your bodily actions are appropriate . Your audience will have to believe in you if you , yourself , believe in what ...
53 ページ
When you relive these past experiences onstage though , you must remember to use logical bodily actions . ... emotional memory for your role ... but it must be done through bodily action so your audience too will feel your emotion .
When you relive these past experiences onstage though , you must remember to use logical bodily actions . ... emotional memory for your role ... but it must be done through bodily action so your audience too will feel your emotion .
54 ページ
You will recall our discussion of bodily actions in Chapter One . ... is once you have recalled a particular feeling , you cannot act it out without thinking first of your logical bodily action in the given character of the play .
You will recall our discussion of bodily actions in Chapter One . ... is once you have recalled a particular feeling , you cannot act it out without thinking first of your logical bodily action in the given character of the play .
レビュー - レビューを書く
レビューが見つかりませんでした。
多く使われている語句
able actor actual adaptation appear audience awareness and imagination become begin better bodily action body bring called chair chapter character character's child circle of attention communicate concentrate correct create discover discuss everything examine Exercise experience expression eyes feel friends give given hands happen hear important inner instance keep line of action listen live logical look MAGIC meaning memory merely method mind mother move movements never notice object once onstage parent particular performance person play portray Practice Project prepare proper reaction remember role scene sense session smell sound speak speech stage stand Stanislavski story student super-objective talk taste teacher teacher or parent tell tempo-rhythm theatre things thoughts touch truth turn understand voice walk watch whole