The Magic If: Stanislavski for ChildrenNational Educational Press, 1973 - 169 ページ |
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53 ページ
... body is removed . Then let us say the script calls for you to sit down and cry . How would you walk to the chair ? In a carefree , sprightly manner , or dejectedly , shoulders slumped , your body moving slowly , sadly ? The correct ...
... body is removed . Then let us say the script calls for you to sit down and cry . How would you walk to the chair ? In a carefree , sprightly manner , or dejectedly , shoulders slumped , your body moving slowly , sadly ? The correct ...
120 ページ
... body does not mean the actor should use mannerisms or mechanical gestures or try to be " cute " onstage . An actor must never pose he must be . Neither should you choose any gesture for your character merely because it is graceful ...
... body does not mean the actor should use mannerisms or mechanical gestures or try to be " cute " onstage . An actor must never pose he must be . Neither should you choose any gesture for your character merely because it is graceful ...
150 ページ
... body , but always with the feet and ankles . Have him direct his thought first to feet and ankles , letting them melt or drip until they collapse ; then the lower legs , knees , upper legs , torso and the rest of the body will follow as ...
... body , but always with the feet and ankles . Have him direct his thought first to feet and ankles , letting them melt or drip until they collapse ; then the lower legs , knees , upper legs , torso and the rest of the body will follow as ...
目次
What is the Stanislavski System? 1 | 5 |
The Magic If | 10 |
Awareness and Imagination | 19 |
著作権 | |
他の 15 セクションは表示されていません
多く使われている語句
acter actions and reactions actions onstage actual object adaptation apricot audience awareness and imagination begin Broadway chair chapter char character's child circle of attention concentrate create discover emotions everything Exercises and Practice eyes hurt fellow actor friends give given circumstances hear imaginary important inner feelings kids king or queen Konstantin Stanislavski line of action listen logical look MAGIC main idea memory of feelings Moscow Art Theatre mother obstacles parent or teacher Parent/Teacher Guide performance person physical actions playwright portray posture and speech Practice Project Practice Project Page prepare proper props react remember rhythm role scene school play session smell solar plexus sound speak stage stage fright Stanislavski system story student super-objective talk taste teacher or parent tell theatre things truth understand voice walk watch watcher words you're a boy