The Magic If: Stanislavski for ChildrenNational Educational Press, 1973 - 169 ページ |
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... communicate with him , as we would in real life . This means ( 1 ) to be aware of his bodily presence ; ( 2 ) to make sure you speak to or touch him and that he understands the speech and / or action ; and ( 3 ) to make equally sure ...
... communicate with him , as we would in real life . This means ( 1 ) to be aware of his bodily presence ; ( 2 ) to make sure you speak to or touch him and that he understands the speech and / or action ; and ( 3 ) to make equally sure ...
75 ページ
... communicate strongly . If you say something funny to your fellow actor and get him to laugh , for instance , the audience too should see the joke and laugh as well . Think for a moment of your personal life . Aren't there times when you ...
... communicate strongly . If you say something funny to your fellow actor and get him to laugh , for instance , the audience too should see the joke and laugh as well . Think for a moment of your personal life . Aren't there times when you ...
76 ページ
... communicate with an imaginary object or person . In one of Shakespeare's plays the character Hamlet speaks to a ghost the ghost of his father . In that play another actor takes the part of the ghost ( some- times speaking from offstage ) ...
... communicate with an imaginary object or person . In one of Shakespeare's plays the character Hamlet speaks to a ghost the ghost of his father . In that play another actor takes the part of the ghost ( some- times speaking from offstage ) ...
目次
What is the Stanislavski System? 1 | 5 |
The Magic If | 10 |
Awareness and Imagination | 19 |
著作権 | |
他の 15 セクションは表示されていません
多く使われている語句
acter actions and reactions actions onstage actual object adaptation apricot audience awareness and imagination begin Broadway chair chapter char character's child circle of attention concentrate create discover emotions everything Exercises and Practice eyes hurt fellow actor friends give given circumstances hear imaginary important inner feelings kids king or queen Konstantin Stanislavski line of action listen logical look MAGIC main idea memory of feelings Moscow Art Theatre mother obstacles parent or teacher Parent/Teacher Guide performance person physical actions playwright portray posture and speech Practice Project Practice Project Page prepare proper props react remember rhythm role scene school play session smell solar plexus sound speak stage stage fright Stanislavski system story student super-objective talk taste teacher or parent tell theatre things truth understand voice walk watch watcher words you're a boy