The Magic If: Stanislavski for Children |
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Onstage we must never say lines to the other fellow – we must actually communicate with him , as we would in real life . This means ( 1 ) to be aware of his bodily presence ; ( 2 ) to make sure you speak to or touch him and that he ...
Onstage we must never say lines to the other fellow – we must actually communicate with him , as we would in real life . This means ( 1 ) to be aware of his bodily presence ; ( 2 ) to make sure you speak to or touch him and that he ...
75 ページ
You must put feeling behind everything you say to your fellow actor if you wish to communicate fully with him – and you must allow feeling to move you in return when he speaks to you . Otherwise the exchange of dialogue will become very ...
You must put feeling behind everything you say to your fellow actor if you wish to communicate fully with him – and you must allow feeling to move you in return when he speaks to you . Otherwise the exchange of dialogue will become very ...
76 ページ
Remember too that when you have a soliloquy in a play , it is for the benefit of the audience and not your fellow actors ... it is another way of communicating your inner thoughts and feelings to the audience .
Remember too that when you have a soliloquy in a play , it is for the benefit of the audience and not your fellow actors ... it is another way of communicating your inner thoughts and feelings to the audience .
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多く使われている語句
able actor actual adaptation appear audience awareness and imagination become begin better bodily action body bring called chair chapter character character's child circle of attention communicate concentrate correct create discover discuss everything examine Exercise experience expression eyes feel friends give given hands happen hear important inner instance keep line of action listen live logical look MAGIC meaning memory merely method mind mother move movements never notice object once onstage parent particular performance person play portray Practice Project prepare proper reaction remember role scene sense session smell sound speak speech stage stand Stanislavski story student super-objective talk taste teacher teacher or parent tell tempo-rhythm theatre things thoughts touch truth turn understand voice walk watch whole