The Magic If: Stanislavski for Children |
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To make your character live onstage , you must first find his super - objective . As you know , every play must have conflict or struggle , and this conflict in a play is created by the through line of action and the struggle or ...
To make your character live onstage , you must first find his super - objective . As you know , every play must have conflict or struggle , and this conflict in a play is created by the through line of action and the struggle or ...
121 ページ
Only then will you truly live the experiences of the character you play while you are onstage . A good performance depends upon the joining or uniting of the character's inner feelings with his expressive action ( or the outward ...
Only then will you truly live the experiences of the character you play while you are onstage . A good performance depends upon the joining or uniting of the character's inner feelings with his expressive action ( or the outward ...
141 ページ
Treat your character as a living person , and you cannot help but create a live human being on the stage . And even though the character was originally created by the playwright , you , as the actor , must recreate the character using ...
Treat your character as a living person , and you cannot help but create a live human being on the stage . And even though the character was originally created by the playwright , you , as the actor , must recreate the character using ...
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多く使われている語句
able actor actual adaptation appear audience awareness and imagination become begin better bodily action body bring called chair chapter character character's child circle of attention communicate concentrate correct create discover discuss everything examine Exercise experience expression eyes feel friends give given hands happen hear important inner instance keep line of action listen live logical look MAGIC meaning memory merely method mind mother move movements never notice object once onstage parent particular performance person play portray Practice Project prepare proper reaction remember role scene sense session smell sound speak speech stage stand Stanislavski story student super-objective talk taste teacher teacher or parent tell tempo-rhythm theatre things thoughts touch truth turn understand voice walk watch whole