The Magic If: Stanislavski for Children |
この書籍内から
検索結果1-3 / 9
98 ページ
Think inwardly of the temporhythm you detect . This time do not beat them out . You have the music , and your audience can hear and tell the speed and beat . You just follow the tempo - rhythm of the music with your movements . E 4.
Think inwardly of the temporhythm you detect . This time do not beat them out . You have the music , and your audience can hear and tell the speed and beat . You just follow the tempo - rhythm of the music with your movements . E 4.
120 ページ
But " making graceful movements " whether of voice or body does not mean the actor should use mannerisms or mechanical gestures or try to be " cute " onstage . An actor must never pose he must be . Neither should you choose any gesture ...
But " making graceful movements " whether of voice or body does not mean the actor should use mannerisms or mechanical gestures or try to be " cute " onstage . An actor must never pose he must be . Neither should you choose any gesture ...
121 ページ
You would have found that he considered it very important for an actor to control his voice and bodily movements and to “ know how to wear a costume . ” When you play a part on the stage , you are actually creating a new being .
You would have found that he considered it very important for an actor to control his voice and bodily movements and to “ know how to wear a costume . ” When you play a part on the stage , you are actually creating a new being .
レビュー - レビューを書く
レビューが見つかりませんでした。
多く使われている語句
able actor actual adaptation appear audience awareness and imagination become begin better bodily action body bring called chair chapter character character's child circle of attention communicate concentrate correct create discover discuss everything examine Exercise experience expression eyes feel friends give given hands happen hear important inner instance keep line of action listen live logical look MAGIC meaning memory merely method mind mother move movements never notice object once onstage parent particular performance person play portray Practice Project prepare proper reaction remember role scene sense session smell sound speak speech stage stand Stanislavski story student super-objective talk taste teacher teacher or parent tell tempo-rhythm theatre things thoughts touch truth turn understand voice walk watch whole