The Magic If: Stanislavski for ChildrenNational Educational Press, 1973 - 169 ページ |
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65 ページ
... onstage or else the play means nothing . Without their belief in what they see onstage , the play will never become real to them . This is the actor's task , then to create people and incidents or happenings that seem so real at the ...
... onstage or else the play means nothing . Without their belief in what they see onstage , the play will never become real to them . This is the actor's task , then to create people and incidents or happenings that seem so real at the ...
75 ページ
... onstage . You must put feeling behind everything you say to your fellow actor if you wish to communicate fully with him — and you must allow feeling to move you in return when he speaks to you . Otherwise the exchange of dialogue will ...
... onstage . You must put feeling behind everything you say to your fellow actor if you wish to communicate fully with him — and you must allow feeling to move you in return when he speaks to you . Otherwise the exchange of dialogue will ...
140 ページ
... onstage , and you must let yourself think and have mental images of what is being said before you reply . In other words you must allow your character to react to the other characters in the play . Stanislavski called the meaning behind ...
... onstage , and you must let yourself think and have mental images of what is being said before you reply . In other words you must allow your character to react to the other characters in the play . Stanislavski called the meaning behind ...
目次
What is the Stanislavski System? 1 | 5 |
The Magic If | 10 |
Awareness and Imagination | 19 |
著作権 | |
他の 15 セクションは表示されていません
多く使われている語句
acter actions and reactions actions onstage actual object adaptation apricot audience awareness and imagination begin Broadway chair chapter char character's child circle of attention concentrate create discover emotions everything Exercises and Practice eyes hurt fellow actor friends give given circumstances hear imaginary important inner feelings kids king or queen Konstantin Stanislavski line of action listen logical look MAGIC main idea memory of feelings Moscow Art Theatre mother obstacles parent or teacher Parent/Teacher Guide performance person physical actions playwright portray posture and speech Practice Project Practice Project Page prepare proper props react remember rhythm role scene school play session smell solar plexus sound speak stage stage fright Stanislavski system story student super-objective talk taste teacher or parent tell theatre things truth understand voice walk watch watcher words you're a boy