The Magic If: Stanislavski for ChildrenNational Educational Press, 1973 - 169 ページ |
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10 ページ
... portray the character truly and well , you would not merely get up and say a lot of lines the playwright has written for the character . You would wish to know more about that king or queen before you began so that you could give him an ...
... portray the character truly and well , you would not merely get up and say a lot of lines the playwright has written for the character . You would wish to know more about that king or queen before you began so that you could give him an ...
22 ページ
... portray a fat man onstage without any padding or costume to help you ? And if you should happen to be plump yourself , can you portray a thin person ? If you will watch next time you see a fat person , you will notice that the ...
... portray a fat man onstage without any padding or costume to help you ? And if you should happen to be plump yourself , can you portray a thin person ? If you will watch next time you see a fat person , you will notice that the ...
97 ページ
... portray . When you have the correct tempo - rhythm to help make your action truthful , it will stir your feelings so that you will be a better actor . The building up of " struggles " in the role you are playing also influences the ...
... portray . When you have the correct tempo - rhythm to help make your action truthful , it will stir your feelings so that you will be a better actor . The building up of " struggles " in the role you are playing also influences the ...
目次
What is the Stanislavski System? 1 | 5 |
The Magic If | 10 |
Awareness and Imagination | 19 |
著作権 | |
他の 15 セクションは表示されていません
多く使われている語句
acter actions and reactions actions onstage actual object adaptation apricot audience awareness and imagination begin Broadway chair chapter char character's child circle of attention concentrate create discover emotions everything Exercises and Practice eyes hurt fellow actor friends give given circumstances hear imaginary important inner feelings kids king or queen Konstantin Stanislavski line of action listen logical look MAGIC main idea memory of feelings Moscow Art Theatre mother obstacles parent or teacher Parent/Teacher Guide performance person physical actions playwright portray posture and speech Practice Project Practice Project Page prepare proper props react remember rhythm role scene school play session smell solar plexus sound speak stage stage fright Stanislavski system story student super-objective talk taste teacher or parent tell theatre things truth understand voice walk watch watcher words you're a boy