The Magic If: Stanislavski for ChildrenNational Educational Press, 1973 - 169 ページ |
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31 ページ
... Theatre ( the theatre in which Stanislavski worked ) first started learning the Stanislavski system they took some time for preparation - a period of " concentration " before they began acting . Nowadays we know better . Actors who use ...
... Theatre ( the theatre in which Stanislavski worked ) first started learning the Stanislavski system they took some time for preparation - a period of " concentration " before they began acting . Nowadays we know better . Actors who use ...
65 ページ
... theatre for participation . To participate , as you know , means to have a share or to take part in something . The ... theatre . And when I say " the theatre , " I do not mean the professional theatre alone . It works the same way in ...
... theatre for participation . To participate , as you know , means to have a share or to take part in something . The ... theatre . And when I say " the theatre , " I do not mean the professional theatre alone . It works the same way in ...
169 ページ
... Work begins . - Now that the book is finished and both actor and director are ready to begin life onstage I will close with the good luck epithet of theatre people everywhere : " Break a leg ! " Designed by Laurie Jewell.
... Work begins . - Now that the book is finished and both actor and director are ready to begin life onstage I will close with the good luck epithet of theatre people everywhere : " Break a leg ! " Designed by Laurie Jewell.
目次
What is the Stanislavski System? 1 | 5 |
The Magic If | 10 |
Awareness and Imagination | 19 |
著作権 | |
他の 15 セクションは表示されていません
多く使われている語句
acter actions and reactions actions onstage actual object adaptation apricot audience awareness and imagination begin Broadway chair chapter char character's child circle of attention concentrate create discover emotions everything Exercises and Practice eyes hurt fellow actor friends give given circumstances hear imaginary important inner feelings kids king or queen Konstantin Stanislavski line of action listen logical look MAGIC main idea memory of feelings Moscow Art Theatre mother obstacles parent or teacher Parent/Teacher Guide performance person physical actions playwright portray posture and speech Practice Project Practice Project Page prepare proper props react remember rhythm role scene school play session smell solar plexus sound speak stage stage fright Stanislavski system story student super-objective talk taste teacher or parent tell theatre things truth understand voice walk watch watcher words you're a boy