The Magic If: Stanislavski for ChildrenNational Educational Press, 1973 - 169 ページ |
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21 ページ
... whole person . When you give your character a past , present and future , you make him real to the audience . So you must first think about your character such thoughts as " Where was he born ? What kind of a home did he grow up in ...
... whole person . When you give your character a past , present and future , you make him real to the audience . So you must first think about your character such thoughts as " Where was he born ? What kind of a home did he grow up in ...
70 ページ
... whole range of notes is for a singer . And the best part is that even if you never set foot on a stage , these exercises will do a lot to make your life more interesting by helping you to develop your imagination and concentration ...
... whole range of notes is for a singer . And the best part is that even if you never set foot on a stage , these exercises will do a lot to make your life more interesting by helping you to develop your imagination and concentration ...
165 ページ
... whole action of the play in achieving or failing to achieve his own aim within the given circum- stances . If you don't have time to do this in class , you might prepare a mimeographed sheet with a precis or shortened version of this ...
... whole action of the play in achieving or failing to achieve his own aim within the given circum- stances . If you don't have time to do this in class , you might prepare a mimeographed sheet with a precis or shortened version of this ...
目次
What is the Stanislavski System? 1 | 5 |
The Magic If | 10 |
Awareness and Imagination | 19 |
著作権 | |
他の 15 セクションは表示されていません
多く使われている語句
acter actions and reactions actions onstage actual object adaptation apricot audience awareness and imagination begin Broadway chair chapter char character's child circle of attention concentrate create discover emotions everything Exercises and Practice eyes hurt fellow actor friends give given circumstances hear imaginary important inner feelings kids king or queen Konstantin Stanislavski line of action listen logical look MAGIC main idea memory of feelings Moscow Art Theatre mother obstacles parent or teacher Parent/Teacher Guide performance person physical actions playwright portray posture and speech Practice Project Practice Project Page prepare proper props react remember rhythm role scene school play session smell solar plexus sound speak stage stage fright Stanislavski system story student super-objective talk taste teacher or parent tell theatre things truth understand voice walk watch watcher words you're a boy