Shakespeare's SonnetsDuckworth Overlook, 2007 - 474 ページ David West is a highly distinguished classicist and literary critic. Here, he explores the sonnets of Shakespeare. The application of the techniques of classical scholarship to the sonnets results in the one of the most impressive and delightful contributions to Shakespeare studies in recent years. At a time when our familiarity with Shakespeare's language is in decline, West restores the full force of the poems' meaning to non-specialist readers with an immediacy and power that will surprise and delight. The context of each poem, its relationship with its neighbours, its argument, as well as the details of its language and musical effects, are all explained in clear terms by a master of close reading. This is literary criticism at its best - a sensitive and subtle reading of a great poet at the height of his powers. |
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... a poem requiring from its reader a silent extrapolation of its syllogistic warning logic into completion - by - exhortation , thereby generating Sonnet 6 . Then let not winter's ragged hand deface In thee thy 22 29 SONNET 5.
... a poem requiring from its reader a silent extrapolation of its syllogistic warning logic into completion - by - exhortation , thereby generating Sonnet 6 . Then let not winter's ragged hand deface In thee thy 22 29 SONNET 5.
52 ページ
... reader take conscious note of the posses- sive element , ' your ' , in yourself ( Which Q prints as two words - see Preface p . xvii ) : O that you were yourself , but love you are | No longer yours , ' O that you were your own ( i.e. ...
... reader take conscious note of the posses- sive element , ' your ' , in yourself ( Which Q prints as two words - see Preface p . xvii ) : O that you were yourself , but love you are | No longer yours , ' O that you were your own ( i.e. ...
386 ページ
... reader to assume the same female beloved referred to here . ' There is no reason to call this character the Dark Lady . She is black in 127.1 and 3 and in 131.12 ; her eyes are black in 127.9 , in 130.4 and throughout 132 ; her hair is ...
... reader to assume the same female beloved referred to here . ' There is no reason to call this character the Dark Lady . She is black in 127.1 and 3 and in 131.12 ; her eyes are black in 127.9 , in 130.4 and throughout 132 ; her hair is ...
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alliteration argument astrology beauty beloved beloved's better Black Lady breast Burrow chiasmus conceit dead dear death dost doth drama Duncan-Jones 1997 earth Elizabethan Ev'n excuse eyes face fair false faults feminine rhyme final couplet flower four lines gentle give grace hate hath heart heaven iambic infidelity Kerrigan king last line Latin leave line 12 line 9 live look love's lover means metaphor mind mistress monosyllables Muse never night Ovid pity play poem poet poetry polyptoton praise Quarto refers repetition rhetorical rhyme rival poet Rollins rose S's love sense sexual shadow Shakespeare Shakespeare's Sonnets simile Sonnet Sonnet 18 Sonnet 20 Sonnet 66 Sonnet 93 Sonnets 44 soul sound speak spirit stress suggests summer sweet syllable thee thine thing thou art thought Time's tion tone tongue true truth Vendler verb verse woman word write young youth