The Artistry of Shakespeare's ProseRoutledge, 2013/09/13 - 464 ページ First published in 1968. This re-issues the revised edition of 1979. The Artistry of Shakespeare's Prose is the first detailed study of the use of prose in the plays. It begins by defining the different dramatic and emotional functions which Shakespeare gave to prose and verse, and proceeds to analyse the recurrent stylistic devices used in his prose. The general and particular application of prose is then studied through all the plays, in roughly chronological order. |
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... Shylock . " I suppose he's a good man . " " Has someone said he is not a good man ? " Bassanio asked an- grily . " I mean that he is well - off , " answered Shylock . " He will likely pay me back . But he has sent his ships to the ends ...
... Shylock . " I suppose he's a good man . " " Has someone said he is not a good man ? " Bassanio asked an- grily . " I mean that he is well - off , " answered Shylock . " He will likely pay me back . But he has sent his ships to the ends ...
17 ページ
... Shylock's lusts . How could one trust her ? Shylock's Creed descends less from Abraham than it does from some god of gold , the gold that he gives out as bait to reel back into his pocket four - fold heavier than when he cast it out ...
... Shylock's lusts . How could one trust her ? Shylock's Creed descends less from Abraham than it does from some god of gold , the gold that he gives out as bait to reel back into his pocket four - fold heavier than when he cast it out ...
103 ページ
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目次
1 | |
19 | |
3 From Clown to Character | 52 |
4 The World of Falstaff | 89 |
5 Gay Comedy | 171 |
6 Two Tragic Heroes | 240 |
7 Serious Comedy | 272 |
Clowns Villains Madmen | 331 |
9 The Return of Comedy | 405 |
Conclusion | 429 |
Notes | 432 |
Index | 449 |
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多く使われている語句
abuse action anaphora antimetabole Apemantus applied argument Armado attitude Autolycus bawdy Beatrice begins Benedick Bertram Cassio character Claudio clauses clown comedy comic contrast Coriolanus Cressida deflating detail device disguise Dogberry dramatic Duke effect Elizabethan emotional epistrophe equivocation Euphuism Falstaff figure final fool give given Gobbo grotesque Hal's Hamlet hath humour Iago Iago's imagery images ironic King lady Lafeu language Launce Lear logic lord Love's Labour's Lost Lucio ludicrous madness malapropism Malvolio meaning metaphor Mistress mock mockery mood nature Olivia Othello Pandarus parallel Parolles pattern piece play plot Polonius Pompey Prince puns repartee repetition rhetorical structure Roderigo Romance Rosalind scene seems seen serious servant Shake Shakespeare Shylock significant situation soliloquy speak specious speech stage style stylistic syllogism symmetries syntax thee Thersites thou Timon Toby Touchstone tragedy trap Troilus Troilus and Cressida Twelfth Night verse whole witty words