The Artistry of Shakespeare's ProseRoutledge, 2013/09/13 - 464 ページ First published in 1968. This re-issues the revised edition of 1979. The Artistry of Shakespeare's Prose is the first detailed study of the use of prose in the plays. It begins by defining the different dramatic and emotional functions which Shakespeare gave to prose and verse, and proceeds to analyse the recurrent stylistic devices used in his prose. The general and particular application of prose is then studied through all the plays, in roughly chronological order. |
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1 ページ
... applied to Shakespeare. One of the critical revolutions of the last age was a reaction away from the excessive interest in Shakespeare's characters back to 'the words on the page'. Given this general interest in such things as imagery ...
... applied to Shakespeare. One of the critical revolutions of the last age was a reaction away from the excessive interest in Shakespeare's characters back to 'the words on the page'. Given this general interest in such things as imagery ...
4 ページ
... applied with increasing skill to the whole design of the play, and in many ways the prose of the tragedies is Shakespeare's greatest achievement. On first thought we might connect tragic prose with a few isolated clown scenes, but in ...
... applied with increasing skill to the whole design of the play, and in many ways the prose of the tragedies is Shakespeare's greatest achievement. On first thought we might connect tragic prose with a few isolated clown scenes, but in ...
18 ページ
... applied it to definitely positive or serious purposes. It is largely for reasons of dramatic contrast that Shakespeare relegates prose to an inferior position, for a great range of meaningful juxtapositions with verse. But although ...
... applied it to definitely positive or serious purposes. It is largely for reasons of dramatic contrast that Shakespeare relegates prose to an inferior position, for a great range of meaningful juxtapositions with verse. But although ...
22 ページ
... applied differently in each play, we seldom if ever find prose images which ennoble their object or their subject, or present it in any positive or admirable way. Essentially their function derives from their place in the sub-plot, or ...
... applied differently in each play, we seldom if ever find prose images which ennoble their object or their subject, or present it in any positive or admirable way. Essentially their function derives from their place in the sub-plot, or ...
26 ページ
... applied to the recording of semi-naturalistic speech, with inevitably little imagery; however, where imagery is used it is significant. So in Shakespeare's totally unsympathetic portrait of Jack Cade, the rebel is again made to look ...
... applied to the recording of semi-naturalistic speech, with inevitably little imagery; however, where imagery is used it is significant. So in Shakespeare's totally unsympathetic portrait of Jack Cade, the rebel is again made to look ...
目次
1 | |
19 | |
3 From Clown to Character | 52 |
4 The World of Falstaff | 89 |
5 Gay Comedy | 171 |
6 Two Tragic Heroes | 240 |
7 Serious Comedy | 272 |
Clowns Villains Madmen | 331 |
9 The Return of Comedy | 405 |
Conclusion | 429 |
Notes | 432 |
Index | 449 |
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abuse action anaphora antimetabole Apemantus applied argument Armado attitude Autolycus bawdy Beatrice begins Benedick Bertram Cassio character Claudio clauses clown comedy comic contrast Coriolanus Cressida deflating detail device disguise Dogberry dramatic Duke effect Elizabethan emotional epistrophe equivocation Euphuism Falstaff figure final fool give given Gobbo grotesque Hal's Hamlet hath humour Iago Iago's imagery images ironic King lady Lafeu language Launce Lear logic lord Love's Labour's Lost Lucio ludicrous madness malapropism Malvolio meaning metaphor Mistress mock mockery mood nature Olivia Othello Pandarus parallel Parolles pattern piece play plot Polonius Pompey Prince puns repartee repetition rhetorical structure Roderigo Romance Rosalind scene seems seen serious servant Shake Shakespeare Shylock significant situation soliloquy speak specious speech stage style stylistic syllogism symmetries syntax thee Thersites thou Timon Toby Touchstone tragedy trap Troilus Troilus and Cressida Twelfth Night verse whole witty words