The Complete Works of Samuel Taylor Coleridge: With an Introductory Essay Upon His Philosophical and Theological OpinionsHarper & brothers, 1853 |
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... Italian language , so is little gained by the knowledge of it . But in the Greek drama all was but as in- struments and accessories to the poetry ; and hence we should form a better notion of the choral music from the solemn hymns and ...
... Italian language , so is little gained by the knowledge of it . But in the Greek drama all was but as in- struments and accessories to the poetry ; and hence we should form a better notion of the choral music from the solemn hymns and ...
31 ページ
... Italy , where at Christmas the convents and the great nobles rival each other in the scenic representation of the birth of Christ and its circumstances . I heard two instances mentioned to me at different times , one in Sicily and the ...
... Italy , where at Christmas the convents and the great nobles rival each other in the scenic representation of the birth of Christ and its circumstances . I heard two instances mentioned to me at different times , one in Sicily and the ...
32 ページ
... Italy , as it ever was in England in the days of Henry VI .— ( nay , more so , for a Wicliffe had not then appeared only , but scattered the good seed widely ) , it is an essential part , I say , of that system to draw the mind wholly ...
... Italy , as it ever was in England in the days of Henry VI .— ( nay , more so , for a Wicliffe had not then appeared only , but scattered the good seed widely ) , it is an essential part , I say , of that system to draw the mind wholly ...
33 ページ
... Italy , every opera— ( even Metastasio obeyed the claim throughout ) -must have six characters , generally two pairs of cross lovers , a tyrant and a con- fidant , or a father and two confidants , themselves lovers ; -and when a new ...
... Italy , every opera— ( even Metastasio obeyed the claim throughout ) -must have six characters , generally two pairs of cross lovers , a tyrant and a con- fidant , or a father and two confidants , themselves lovers ; -and when a new ...
45 ページ
... Italian , Spanish and German belle lettrists , and the last fifteen years in addition , far more intensely in the analysis of the laws of life and reason as they exist in man , -and that upon every step I have made forward in taste , in ...
... Italian , Spanish and German belle lettrists , and the last fifteen years in addition , far more intensely in the analysis of the laws of life and reason as they exist in man , -and that upon every step I have made forward in taste , in ...
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admirable appear Beaumont and Fletcher beauty Ben Jonson cause character Coleridge comedy common Don Quixote drama effect especially excellent excite expression exquisite fancy feeling genius give Greek Hamlet hath heart Hence human humor Iago idea images imagination imitation individual instance intellect interest Jonson judgment Julius Cæsar king language latter Lear Lecture less Love's Labor's Lost Macbeth means metre Milton mind moral nature never object observe original Othello pantheism Paradise Lost passage passion perhaps persons philosophic Plato play pleasure poem poet poetic poetry Polonius present principle produced reader reason religion Roman Romeo Romeo and Juliet S. T. COLERIDGE scene Schlegel sense Shak Shakspeare Shakspeare's Shaksperian soul speech spirit style supposed thing thou thought tion tragedy Trochee true truth understanding unity verse Warburton's whilst whole words writers
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110 ページ - Amen, amen ! but come what sorrow can, It cannot countervail the exchange of joy That one short minute gives me in her sight : Do thou but close our hands with holy words, Then love-devouring death do what he dare, It is enough I may but call her mine.
116 ページ - This royal throne of kings, this scepter'd isle, This earth of majesty, this seat of Mars, This other Eden, demi-paradise, This fortress built by Nature for herself Against infection and the hand of war, This happy breed of men, this little world, This precious stone set in the silver sea...
103 ページ - So many mermaids, tended her i' the eyes, And made their bends adornings ; at the helm A seeming mermaid steers ; the silken tackle Swell with the touches of those flower-soft hands, That yarely frame the office. From the barge A strange invisible perfume hits the sense Of the adjacent wharfs. The city cast Her people out upon her, and Antony, Enthron'd i...
153 ページ - My words fly up, my thoughts remain below : Words, without thoughts, never to heaven go.
163 ページ - Which would be worn now in their newest gloss, Not cast aside so soon. Lady M. Was the hope drunk Wherein you dress'd yourself? Hath it slept since? And wakes it now, to look so green and pale At what it did so freely ? From this time Such I account thy love. Art thou afeard To be the same in thine own act and valour As thou art in desire?
150 ページ - I know my course. The spirit that I have seen May be the devil : and the devil hath power To assume a pleasing shape; yea, and perhaps Out of my weakness and my melancholy, — As he is very potent with such spirits, — Abuses me to damn me: I'll have grounds More relative than this: — the play's the thing Wherein I'll catch the conscience of the king.
161 ページ - If chance will have me king, why, chance may crown me, Without my stir.
305 ページ - ... shall a trumpet be blown in the city, and the people not be afraid? shall there be evil in a city, and the Lord hath not done it?
137 ページ - O let me not be mad, not mad, sweet heaven ! Keep me in temper ; I would not be mad ! — Enter Gentleman.
153 ページ - A bloody deed! almost as bad, good mother, As kill a king, and marry with his brother.