Sculpting in Time: Reflections on the Cinema

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University of Texas Press, 1987 - 254 ページ
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Andrey Tarkovsky, the genius of modern Russian cinema—hailed by Ingmar Bergman as "the most important director of our time"—died an exile in Paris in December 1986. In Sculpting in Time, he has left his artistic testament, a remarkable revelation of both his life and work. Since Ivan's Childhood won the Golden Lion at the Venice Film Festival in 1962, the visionary quality and totally original and haunting imagery of Tarkovsky's films have captivated serious movie audiences all over the world, who see in his work a continuation of the great literary traditions of nineteenth-century Russia. Many critics have tried to interpret his intensely personal vision, but he himself always remained inaccessible.

In Sculpting in Time, Tarkovsky sets down his thoughts and his memories, revealing for the first time the original inspirations for his extraordinary films—Ivan's Childhood, Andrey Rublyov, Solaris, The Mirror, Stalker, Nostalgia, and The Sacrifice. He discusses their history and his methods of work, he explores the many problems of visual creativity, and he sets forth the deeply autobiographical content of part of his oeuvre—most fascinatingly in The Mirror and Nostalgia. The closing chapter on The Sacrifice, dictated in the last weeks of Tarkovsky's life, makes the book essential reading for those who already know or who are just discovering his magnificent work.

 

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Sculpting in time: reflections on the cinema

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Tarkovsky, who died in exile in 1986, was considered by some Western film critics to be one of Russia's foremost latter-day filmmakers. His image-rich nonlinear style was apparently little understood ... レビュー全文を読む

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If you love Tarkovksy, you'll love this. I only added it to the list because I quote it in my review of One Hundred Years of Solitude. レビュー全文を読む

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目次

The beginning
15
Arta yearning for the ideal
36
Imprinted time
57
Cinemas destined role
82
The film image
104
Time rhythm and editing
113
Scenario and shooting script
125
The films graphic realisation
135
Music and noises
155
The author in search of an audience
164
The artists responsibility
176
After Nostalgia
202
The Sacrifice
217
Conclusion
231
Notes
243
著作権

The film actor
139

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