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about 1727 printed “Grongar Hill” in Lewis's Miscellany.
Being, probably, unsatisfied with his own proficiency, he, like other painters, travelled to Italy ; and coming back in 1740, published the “Ruins of “ Rome.”
If his poem was written soon after his return, he did not make much use of his acquisitions in painting, whatever they might be ; for decline of health and love of study determined him to the Church. He therefore entered into orders; and, it seems, married about the same time a lady of the name of “ Ensor whose grand-mother," says he, “ was a “ Shakspeare, descended from a brother of every “ body's Shakspeare ;” by her, in 1756, he had a son and three daughters living.
His ecclesiastical provision was for a long time but slender. His first patron, Mr. Harper, gave him, in 1741, Calthorp in Leicestershire, of eighty pounds a year, on which he lived ten years, and then exchanged it for Belchford in Lincolnshire, of seventy-five. His condition now began to mend. In 1751, Sir John Heathcote gave him Coningsby, of one hundred and forty pounds a year; and in 1755 the Chancellor added Kirkby, of one hundred and ten, He complains that the repair of the house at Coningsby, and other expenses, took away the profit. In 1757 he published “The Fleece,” his greatest poetical work; of which I will not suppress a ludicrous story. Dodsley the bookseller was one day mentioning it to a critical visitor, with more expectation of success than the other could easily admit. In the conversation the author's age.
was asked; and being represented as advanced in life, “He will,” said the critic, “be buried in woollen.”
He did not indeed long survive that publication, nor long enjoy the increase of his preferments ; for in 1753 he died.
Dyer is not a poet of bulk or dignity sufficient to require an elaborate criticism. “ Grongar Hill” . is the happiest of his productions : it is not indeed very accurately written ; but the scenes which it displays are so pleasing, the images which they raise are so welcome to the mind, and the reflections of the writer so consonant to the general sense or experience of mankind, that when it is once. read, it will be read again.
The idea of the “Ruins of Rome" strikes more but pleases less, and the title raises greater expectation than the performance gratifies. Some passages, however, are conceived with the mind of a poet; as when in the neighbourhood of dilapidating edifices, he says,
- The Pilgrim oft
Of “ The Fleece,” which never became popular, and is now universally neglected, I can say little that is likely to recall it to attention. The woolcomber and the poet appear to me such discordant natures, that an attempt to bring them together is to couple the serpent with the fonl. When Dyer,
whose mind was not unpoetical, has done his utmost, by interesting his reader in our native commodity, by interspersing rural imagery, and incidental digressions, by clothing small images in great words, and by all the writer's arts of delusion, the meanness naturally adhering, and the irreverence habitually annexed to trade and manufacture, sink him under insuperable oppression; and the disgustwhich blank verse, encumbering and encumbered, superadds to an unpleasing subject, soon repels the reader, however willing to be pleased.
Let me however honestly report whatever may counterbalance this weight of censure. I have been told, that Akenside, who, upon a poetical question, has a right to be heard, said, “ That he would re« gulate his opinion of the reigning taste by the fate « of Dyer's · Fleece;' for, if that were ill-received, « he should not think it any longer reasonable to “expect fame from excellence.”
WILLIAM SHENSTONE, the son of Thomas Shenstone and Anne Pen, was born in November 1714, at the Leasowes in Hales-Owen, one of those insulated districts which, in the division of the kingdom, was appended, for some reason pot now discoverable, to a distant county; and which, though surrounded by Warwickshire and Worcestershire, belongs to Shropshire, though perhaps thirty miles distant from any other part of it.
He learned to read of an old dame, whom his poem of the “ School-mistress” has delivered to posterity; and soon received such delight from books, that he was always calling for fresh entertainment, and expected that, when any of the family went to market, a new book should be brought him, which, when it came, was in fondness carried to bed and laid by him. It is said, that, when his request had been neglected, his mother wrapped up a piece of wood of the same form, and pacified him for the night.
As he grew older, he went for a while to the Grammar-school in Hales-Owen, and was placed afterwards with Mr. Crumpton, an eminent schoolmaster at Solihul, where he distinguished himself by the quickness of his progress.
When he was young (June 1724) he was deprived of his father, and soon after (August 1726) of bis grandfather; and was, with his brother, who died afterwards unmarried, left to the care of his grandmother, who managed the estate.
From school he was sent in 1732 to Pembroke College in Oxford, a society which for half a century has been eminent for English poetry and elegant literature. Here it appears that he found delight and advantage; for he continued his name in the book ten years, though he took no degree. After the first four years he put on the Civilian's gown, but without shewing any intention to engage, in the profession.
About the time when he went to Oxford, the death of his grandmother devolved his affairs to the care of the reverend Mr. Dolman, of Brome in Staffordshire, whose attention he always mentioned with gratitude.
At Oxford he employed himself upon English poetry; and in 1737 published a small Miscellany, without his name.
He then for a time wandered about, to acquaint himself with life, and was sometimes at London, sometimes at Bath, or any other place of public resort; but he did not forget his poetry. He published in 1741 his “ Judgment of Hercules," addressed to Mr. Lyttelton, whose interest he supported with