The Adoring Audience: Fan Culture and Popular Media

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Lisa A. Lewis
Psychology Press, 1992 - 245 ページ
"What distinguishes fans from general audiences? Who is most likely to become a fan? This fascinating collection of essays explores the relationship between fans and their adored media products. Examining fandom as a distinct form of cultural activity, an eminent list of contributors discuss a range of topics. "Defining Fandom" assesses the economic, cultural, political, and theoretical positioning of fans. "Fandom and Gender" examines the hysterical response to the Beatles, female fantasies of Elvis and "groupies." "Fans and Industry" considers the extent to which the television industry regards fans as valuable to their enterprise. "Production by Fans" looks at fans as producers of popular culture (fan letters to pop stars and music production by science fiction fans)."--Publisher's description.
 

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目次

Fandom as Pathology The Consequences of Characterization
9
The Cultural Economy of Fandom
30
Is there a Fan in the House? The Affective Sensibility of Fandom
50
Essays from Bitch The Womens Rock Newsletter with Bite
69
Beatlemania Girls Just Want to Have Fun
84
Ill Be Here With You Fans Fantasy and the Figure of Elvis
107
Something More Than Love Fan Stories on Film
135
Fans as Tastemakers Viewers for Quality Television
163
Television Executives Speak about Fan Letters to the Networks
185
A Glimpse of the Fan Factory
191
Strangers No More We Sing Filking and the Social Construction of the Science Fiction Fan Community
208
Index
237
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著者について (1992)

The editor: Lisa A. Lewis is a commercial TV producer in Tucson, Arizona, and author of Gender Politics and MTV: Voicing the Difference.

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