Dark Imagination: Poetic Painting in Romantic DramaUniversity of California, Santa Cruz, 1992 - 516 ページ |
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130 ページ
... Beatrice does not , cannot , literally " laugh and stare in loathsome sympathy , " Francesco Cenci attacks more than his daughter's virginity ; he violates her very being , fragmenting and tearing apart any integrated sense of self she ...
... Beatrice does not , cannot , literally " laugh and stare in loathsome sympathy , " Francesco Cenci attacks more than his daughter's virginity ; he violates her very being , fragmenting and tearing apart any integrated sense of self she ...
142 ページ
... Beatrice sees . In this nightmare view of her future , she achieves partial anag- norisis : Can it be possible I have To die so suddenly ? So young to go Under the obscure , cold , rotting , wormy ground ! To be nailed down into a ...
... Beatrice sees . In this nightmare view of her future , she achieves partial anag- norisis : Can it be possible I have To die so suddenly ? So young to go Under the obscure , cold , rotting , wormy ground ! To be nailed down into a ...
143 ページ
... Beatrice's consciousness and will , gradually but surely , until she decides that something must be done to stop him ... Beatrice understands what Marzio doesn't . What matters , Beatrice realizes , is that action alone will be an end to ...
... Beatrice's consciousness and will , gradually but surely , until she decides that something must be done to stop him ... Beatrice understands what Marzio doesn't . What matters , Beatrice realizes , is that action alone will be an end to ...
目次
Scenes of Dramatic Conflict Critical Context and Background | 6 |
The Curtain Goes Up | 33 |
Joanna Baillie Passions of the Mind Set the Stage | 61 |
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abyss action actors aesthetic Alvar argues artist audience Baillie's Beatrice Beatrice's Burwick Byron Byronic hero Cain Cenci character Coleridge Coleridge's conception consciousness Constantine Covent Garden create Critical dark delusion depiction discussion dramatists dream Drury Lane effect ekphrasis English Essays expression Faliero feelings figure Giaour Hazlitt hero history painting human ideas imagery imagination Isidore Joanna Baillie John John Philip Kemble Kean Kemble language Laocoön Lessing's light literary Literature London Manfred Marino Faliero mind mirror Monfort murder nature Ordonio painters painting and poetry passions perception performance picture play poet poetic political portrait present Princeton Prometheus Unbound psychological reality Remorse representation Rezenvelt Romantic drama Romanticism Samuel Taylor Coleridge Sardanapalus says scene scenery scenic Scott Shakespeare Shelley Shelley's Siddons skiagraphia skiagraphic spectators stage illusion sublime suggests Teresa theatrical Theory things thought tion tragedy tragic Trans verbal vision visual arts vols words Wordsworth writes York