Dark Imagination: Poetic Painting in Romantic DramaUniversity of California, Santa Cruz, 1992 - 516 ページ |
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97 ページ
... Coleridge's explanation of the power of words to evoke images is consistent with my discussion of the nature of ekphrasis in the drama . Remorse , a play I contend he wrote in response to Lessing's theories in Laocoön also takes into ...
... Coleridge's explanation of the power of words to evoke images is consistent with my discussion of the nature of ekphrasis in the drama . Remorse , a play I contend he wrote in response to Lessing's theories in Laocoön also takes into ...
100 ページ
... Coleridge's theory . Although he did not use the term , Coleridge recognized that aesthetic complementarity fills in the gaps which exist between the signs represented on stage and what the audience sees , solving the problem of the ...
... Coleridge's theory . Although he did not use the term , Coleridge recognized that aesthetic complementarity fills in the gaps which exist between the signs represented on stage and what the audience sees , solving the problem of the ...
211 ページ
... Coleridge's manuscript essay , " On the Passions , " quotes Coleridge's friend J. H. Green as saying , " That a pas- sion is an affection of life having its immediate occasion , not in things , but in the thought or judgements respect ...
... Coleridge's manuscript essay , " On the Passions , " quotes Coleridge's friend J. H. Green as saying , " That a pas- sion is an affection of life having its immediate occasion , not in things , but in the thought or judgements respect ...
目次
Scenes of Dramatic Conflict Critical Context and Background | 6 |
The Curtain Goes Up | 33 |
Joanna Baillie Passions of the Mind Set the Stage | 61 |
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abyss action actors aesthetic Alvar argues artist audience Baillie's Beatrice Beatrice's Burwick Byron Byronic hero Cain Cenci character Coleridge Coleridge's conception consciousness Constantine Covent Garden create Critical dark delusion depiction discussion dramatists dream Drury Lane effect ekphrasis English Essays expression Faliero feelings figure Giaour Hazlitt hero history painting human ideas imagery imagination Isidore Joanna Baillie John John Philip Kemble Kean Kemble language Laocoön Lessing's light literary Literature London Manfred Marino Faliero mind mirror Monfort murder nature Ordonio painters painting and poetry passions perception performance picture play poet poetic political portrait present Princeton Prometheus Unbound psychological reality Remorse representation Rezenvelt Romantic drama Romanticism Samuel Taylor Coleridge Sardanapalus says scene scenery scenic Scott Shakespeare Shelley Shelley's Siddons skiagraphia skiagraphic spectators stage illusion sublime suggests Teresa theatrical Theory things thought tion tragedy tragic Trans verbal vision visual arts vols words Wordsworth writes York