Dark Imagination: Poetic Painting in Romantic DramaUniversity of California, Santa Cruz, 1992 - 516 ページ |
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22 ページ
... Lessing . Lessing's writings , following on the heels of Diderot , join with Diderot's reac- tion against practice in the theatre of their time . In addition to his Laocoön ( 1766 ) , with its influence on Romantic thinking in regard to ...
... Lessing . Lessing's writings , following on the heels of Diderot , join with Diderot's reac- tion against practice in the theatre of their time . In addition to his Laocoön ( 1766 ) , with its influence on Romantic thinking in regard to ...
97 ページ
... Lessing's discussions of boundaries between the verbal and visual arts and his emphasis on illusion which drew Coleridge to his ideas . According to his notebook entries , Coleridge , then knowing little German , began to read Lessing ...
... Lessing's discussions of boundaries between the verbal and visual arts and his emphasis on illusion which drew Coleridge to his ideas . According to his notebook entries , Coleridge , then knowing little German , began to read Lessing ...
204 ページ
... Lessing's works leads me to believe that he knew the Laocoön earlier than many critics had previously thought . I concur with Kathleen Coburn when she says in a note to a 1799 Notebook entry , " [ Coleridge ] certainly knew Lessing's ...
... Lessing's works leads me to believe that he knew the Laocoön earlier than many critics had previously thought . I concur with Kathleen Coburn when she says in a note to a 1799 Notebook entry , " [ Coleridge ] certainly knew Lessing's ...
目次
Scenes of Dramatic Conflict Critical Context and Background | 6 |
The Curtain Goes Up | 33 |
Joanna Baillie Passions of the Mind Set the Stage | 61 |
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abyss action actors aesthetic Alvar argues artist audience Baillie's Beatrice Beatrice's Burwick Byron Byronic hero Cain Cenci character Coleridge Coleridge's conception consciousness Constantine Covent Garden create Critical dark delusion depiction discussion dramatists dream Drury Lane effect ekphrasis English Essays expression Faliero feelings figure Giaour Hazlitt hero history painting human ideas imagery imagination Isidore Joanna Baillie John John Philip Kemble Kean Kemble language Laocoön Lessing's light literary Literature London Manfred Marino Faliero mind mirror Monfort murder nature Ordonio painters painting and poetry passions perception performance picture play poet poetic political portrait present Princeton Prometheus Unbound psychological reality Remorse representation Rezenvelt Romantic drama Romanticism Samuel Taylor Coleridge Sardanapalus says scene scenery scenic Scott Shakespeare Shelley Shelley's Siddons skiagraphia skiagraphic spectators stage illusion sublime suggests Teresa theatrical Theory things thought tion tragedy tragic Trans verbal vision visual arts vols words Wordsworth writes York