Dark Imagination: Poetic Painting in Romantic DramaUniversity of California, Santa Cruz, 1992 - 516 ページ |
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... Monfort is told , has attracted his sister's love . At the same time , Baillie gives strong suggestions through the character and actions of Jane De Monfort that De Monfort's desire is unconsciously reciprocated . From the tension ...
... Monfort is told , has attracted his sister's love . At the same time , Baillie gives strong suggestions through the character and actions of Jane De Monfort that De Monfort's desire is unconsciously reciprocated . From the tension ...
75 ページ
... Monfort's own perception . The very worst we can say about Rezen- velt is that he taunts De Monfort . The audience and the reader see De Mon- fort's vision of Rezenvelt because Baillie paints us a lively portrait . We are not told about ...
... Monfort's own perception . The very worst we can say about Rezen- velt is that he taunts De Monfort . The audience and the reader see De Mon- fort's vision of Rezenvelt because Baillie paints us a lively portrait . We are not told about ...
77 ページ
... Monfort's passion feeding on itself until , ultimately , he murders Rezenvelt . Conrad , a servant to Rezen- velt , lies to De Monfort about an impending marriage between Rezenvelt and Jane . Upon hearing this , De Monfort " staggers ...
... Monfort's passion feeding on itself until , ultimately , he murders Rezenvelt . Conrad , a servant to Rezen- velt , lies to De Monfort about an impending marriage between Rezenvelt and Jane . Upon hearing this , De Monfort " staggers ...
目次
Scenes of Dramatic Conflict Critical Context and Background | 6 |
The Curtain Goes Up | 33 |
Joanna Baillie Passions of the Mind Set the Stage | 61 |
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abyss action actors aesthetic Alvar argues artist audience Baillie's Beatrice Beatrice's Burwick Byron Byronic hero Cain Cenci character Coleridge Coleridge's conception consciousness Constantine Covent Garden create Critical dark delusion depiction discussion dramatists dream Drury Lane effect ekphrasis English Essays expression Faliero feelings figure Giaour Hazlitt hero history painting human ideas imagery imagination Isidore Joanna Baillie John John Philip Kemble Kean Kemble language Laocoön Lessing's light literary Literature London Manfred Marino Faliero mind mirror Monfort murder nature Ordonio painters painting and poetry passions perception performance picture play poet poetic political portrait present Princeton Prometheus Unbound psychological reality Remorse representation Rezenvelt Romantic drama Romanticism Samuel Taylor Coleridge Sardanapalus says scene scenery scenic Scott Shakespeare Shelley Shelley's Siddons skiagraphia skiagraphic spectators stage illusion sublime suggests Teresa theatrical Theory things thought tion tragedy tragic Trans verbal vision visual arts vols words Wordsworth writes York