Dark Imagination: Poetic Painting in Romantic DramaUniversity of California, Santa Cruz, 1992 - 516 ページ |
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... audience and performance in creating poetic faith , Johnson makes his own argument against actual deception or delusion in audience reaction to theatrical performance . About the spectator of a play Johnson says , " he knows with ...
... audience and performance in creating poetic faith , Johnson makes his own argument against actual deception or delusion in audience reaction to theatrical performance . About the spectator of a play Johnson says , " he knows with ...
29 ページ
... audience metonymically as a representative standing for the ' world ' traversed by the discourse the drama imitates ( = represents ) . Representation in the presence of an audience is thus at the same time representation of that audience ...
... audience metonymically as a representative standing for the ' world ' traversed by the discourse the drama imitates ( = represents ) . Representation in the presence of an audience is thus at the same time representation of that audience ...
112 ページ
... audience participation just as a reading experience depends on visualization skills . This scene is an illusion of visualization , or an illusion of the visual arts of painting created by the verbal language of poetry . By the time the ...
... audience participation just as a reading experience depends on visualization skills . This scene is an illusion of visualization , or an illusion of the visual arts of painting created by the verbal language of poetry . By the time the ...
目次
Scenes of Dramatic Conflict Critical Context and Background | 6 |
The Curtain Goes Up | 33 |
Joanna Baillie Passions of the Mind Set the Stage | 61 |
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abyss action actors aesthetic Alvar argues artist audience Baillie's Beatrice Beatrice's Burwick Byron Byronic hero Cain Cenci character Coleridge Coleridge's conception consciousness Constantine Covent Garden create Critical dark delusion depiction discussion dramatists dream Drury Lane effect ekphrasis English Essays expression Faliero feelings figure Giaour Hazlitt hero history painting human ideas imagery imagination Isidore Joanna Baillie John John Philip Kemble Kean Kemble language Laocoön Lessing's light literary Literature London Manfred Marino Faliero mind mirror Monfort murder nature Ordonio painters painting and poetry passions perception performance picture play poet poetic political portrait present Princeton Prometheus Unbound psychological reality Remorse representation Rezenvelt Romantic drama Romanticism Samuel Taylor Coleridge Sardanapalus says scene scenery scenic Scott Shakespeare Shelley Shelley's Siddons skiagraphia skiagraphic spectators stage illusion sublime suggests Teresa theatrical Theory things thought tion tragedy tragic Trans verbal vision visual arts vols words Wordsworth writes York