Dark Imagination: Poetic Painting in Romantic DramaUniversity of California, Santa Cruz, 1992 - 516 ページ |
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37 ページ
... create atmosphere and the various visual qualities of scenes . Under such conditions , lighting technology became impor- tant , and developments in lighting technique progressed far beyond mere utilitarian functions . The greater ...
... create atmosphere and the various visual qualities of scenes . Under such conditions , lighting technology became impor- tant , and developments in lighting technique progressed far beyond mere utilitarian functions . The greater ...
85 ページ
... creating a new understanding of and empathy with characters and imaginative scenes . Readers in a very real sense co - create and co - narrate ; they are prompted to no longer be passive recipients of what they read and witness on the ...
... creating a new understanding of and empathy with characters and imaginative scenes . Readers in a very real sense co - create and co - narrate ; they are prompted to no longer be passive recipients of what they read and witness on the ...
151 ページ
... created self in his works . This duality of self and of created perception Byron explains by means of the creative process : ' Tis to create , and in creating live A being more intense , that we endow With form our fancy , gaining as we ...
... created self in his works . This duality of self and of created perception Byron explains by means of the creative process : ' Tis to create , and in creating live A being more intense , that we endow With form our fancy , gaining as we ...
目次
Scenes of Dramatic Conflict Critical Context and Background | 6 |
The Curtain Goes Up | 33 |
Joanna Baillie Passions of the Mind Set the Stage | 61 |
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abyss action actors aesthetic Alvar argues artist audience Baillie's Beatrice Beatrice's Burwick Byron Byronic hero Cain Cenci character Coleridge Coleridge's conception consciousness Constantine Covent Garden create Critical dark delusion depiction discussion dramatists dream Drury Lane effect ekphrasis English Essays expression Faliero feelings figure Giaour Hazlitt hero history painting human ideas imagery imagination Isidore Joanna Baillie John John Philip Kemble Kean Kemble language Laocoön Lessing's light literary Literature London Manfred Marino Faliero mind mirror Monfort murder nature Ordonio painters painting and poetry passions perception performance picture play poet poetic political portrait present Princeton Prometheus Unbound psychological reality Remorse representation Rezenvelt Romantic drama Romanticism Samuel Taylor Coleridge Sardanapalus says scene scenery scenic Scott Shakespeare Shelley Shelley's Siddons skiagraphia skiagraphic spectators stage illusion sublime suggests Teresa theatrical Theory things thought tion tragedy tragic Trans verbal vision visual arts vols words Wordsworth writes York