Dark Imagination: Poetic Painting in Romantic DramaUniversity of California, Santa Cruz, 1992 - 516 ページ |
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... depicted front stage . The background of this " historical " moment could as well have been a stage back- drop . The ... depiction in Romantic painting . John Runciman's canvas , King Lear in the Storm ( 1767 ) , produced one of the ...
... depicted front stage . The background of this " historical " moment could as well have been a stage back- drop . The ... depiction in Romantic painting . John Runciman's canvas , King Lear in the Storm ( 1767 ) , produced one of the ...
110 ページ
... depiction of his supposed assassination take the place of a portrait of Teresa , exchanges one visual representation for another , neither of which is seen but both of which are represented on the stage only by words and suggestion ...
... depiction of his supposed assassination take the place of a portrait of Teresa , exchanges one visual representation for another , neither of which is seen but both of which are represented on the stage only by words and suggestion ...
163 ページ
... depicting visual scenery which resembles panoramas and phantasmagorias . Byron's scenery is highly visual ; we see ... depictions of spectacular history in the making . Byron's idea for such a 163.
... depicting visual scenery which resembles panoramas and phantasmagorias . Byron's scenery is highly visual ; we see ... depictions of spectacular history in the making . Byron's idea for such a 163.
目次
Scenes of Dramatic Conflict Critical Context and Background | 6 |
The Curtain Goes Up | 33 |
Joanna Baillie Passions of the Mind Set the Stage | 61 |
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abyss action actors aesthetic Alvar argues artist audience Baillie's Beatrice Beatrice's Burwick Byron Byronic hero Cain Cenci character Coleridge Coleridge's conception consciousness Constantine Covent Garden create Critical dark delusion depiction discussion dramatists dream Drury Lane effect ekphrasis English Essays expression Faliero feelings figure Giaour Hazlitt hero history painting human ideas imagery imagination Isidore Joanna Baillie John John Philip Kemble Kean Kemble language Laocoön Lessing's light literary Literature London Manfred Marino Faliero mind mirror Monfort murder nature Ordonio painters painting and poetry passions perception performance picture play poet poetic political portrait present Princeton Prometheus Unbound psychological reality Remorse representation Rezenvelt Romantic drama Romanticism Samuel Taylor Coleridge Sardanapalus says scene scenery scenic Scott Shakespeare Shelley Shelley's Siddons skiagraphia skiagraphic spectators stage illusion sublime suggests Teresa theatrical Theory things thought tion tragedy tragic Trans verbal vision visual arts vols words Wordsworth writes York