Dark Imagination: Poetic Painting in Romantic DramaUniversity of California, Santa Cruz, 1992 - 516 ページ |
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... fact , the Romantic period resembles the Renaissance period in many ways : the bourgeois class was rapidly increasing in size ; the masses were becoming more educated ; the landed aristocracy was again in grave danger of losing its ...
... fact , the Romantic period resembles the Renaissance period in many ways : the bourgeois class was rapidly increasing in size ; the masses were becoming more educated ; the landed aristocracy was again in grave danger of losing its ...
98 ページ
... fact the true and the best definition of the Fine Arts in general -- muta Poesis -- mute Poesy-- " ( LL 2 : 218 ) . In witnessing paintings , the mind is able to conjure , literally to see or picture , scenes before its inner , its ...
... fact the true and the best definition of the Fine Arts in general -- muta Poesis -- mute Poesy-- " ( LL 2 : 218 ) . In witnessing paintings , the mind is able to conjure , literally to see or picture , scenes before its inner , its ...
103 ページ
... fact , I would go so far as to contend that Coleridge took these lines out of his revised Osorio because they explained too well -- telling , not showing -- what he is doing with his play . To leave these lines in the revised version ...
... fact , I would go so far as to contend that Coleridge took these lines out of his revised Osorio because they explained too well -- telling , not showing -- what he is doing with his play . To leave these lines in the revised version ...
目次
Scenes of Dramatic Conflict Critical Context and Background | 6 |
The Curtain Goes Up | 33 |
Joanna Baillie Passions of the Mind Set the Stage | 61 |
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abyss action actors aesthetic Alvar argues artist audience Baillie's Beatrice Beatrice's Burwick Byron Byronic hero Cain Cenci character Coleridge Coleridge's conception consciousness Constantine Covent Garden create Critical dark delusion depiction discussion dramatists dream Drury Lane effect ekphrasis English Essays expression Faliero feelings figure Giaour Hazlitt hero history painting human ideas imagery imagination Isidore Joanna Baillie John John Philip Kemble Kean Kemble language Laocoön Lessing's light literary Literature London Manfred Marino Faliero mind mirror Monfort murder nature Ordonio painters painting and poetry passions perception performance picture play poet poetic political portrait present Princeton Prometheus Unbound psychological reality Remorse representation Rezenvelt Romantic drama Romanticism Samuel Taylor Coleridge Sardanapalus says scene scenery scenic Scott Shakespeare Shelley Shelley's Siddons skiagraphia skiagraphic spectators stage illusion sublime suggests Teresa theatrical Theory things thought tion tragedy tragic Trans verbal vision visual arts vols words Wordsworth writes York