Dark Imagination: Poetic Painting in Romantic DramaUniversity of California, Santa Cruz, 1992 - 516 ページ |
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128 ページ
... human creation , is limited to human comprehension in its power to image meaning . When Asia presses Demagorgon for ultimate meaning he replies , " --If the Abysm / Could vomit forth its secrets : -- but a voice / Is wanting , the deep ...
... human creation , is limited to human comprehension in its power to image meaning . When Asia presses Demagorgon for ultimate meaning he replies , " --If the Abysm / Could vomit forth its secrets : -- but a voice / Is wanting , the deep ...
129 ページ
... human attributes his vision of an ultimate chaos beyond human ken remained . Prometheus Unbound ends on the hope and dream that " spells " of human virtue can re - assume dominion over " dis - entangled Doom . " Shelley wrote this ...
... human attributes his vision of an ultimate chaos beyond human ken remained . Prometheus Unbound ends on the hope and dream that " spells " of human virtue can re - assume dominion over " dis - entangled Doom . " Shelley wrote this ...
144 ページ
... human dignity finds itself . Now , Beatrice is portrayed as able to find meaning and solace in small acts of human kindness that affirm the solely human nature of compassion and attempts at order . All illusions of anything beyond the ...
... human dignity finds itself . Now , Beatrice is portrayed as able to find meaning and solace in small acts of human kindness that affirm the solely human nature of compassion and attempts at order . All illusions of anything beyond the ...
目次
Scenes of Dramatic Conflict Critical Context and Background | 6 |
The Curtain Goes Up | 33 |
Joanna Baillie Passions of the Mind Set the Stage | 61 |
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abyss action actors aesthetic Alvar argues artist audience Baillie's Beatrice Beatrice's Burwick Byron Byronic hero Cain Cenci character Coleridge Coleridge's conception consciousness Constantine Covent Garden create Critical dark delusion depiction discussion dramatists dream Drury Lane effect ekphrasis English Essays expression Faliero feelings figure Giaour Hazlitt hero history painting human ideas imagery imagination Isidore Joanna Baillie John John Philip Kemble Kean Kemble language Laocoön Lessing's light literary Literature London Manfred Marino Faliero mind mirror Monfort murder nature Ordonio painters painting and poetry passions perception performance picture play poet poetic political portrait present Princeton Prometheus Unbound psychological reality Remorse representation Rezenvelt Romantic drama Romanticism Samuel Taylor Coleridge Sardanapalus says scene scenery scenic Scott Shakespeare Shelley Shelley's Siddons skiagraphia skiagraphic spectators stage illusion sublime suggests Teresa theatrical Theory things thought tion tragedy tragic Trans verbal vision visual arts vols words Wordsworth writes York