Dark Imagination: Poetic Painting in Romantic DramaUniversity of California, Santa Cruz, 1992 - 516 ページ |
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... ideas . I owe a special debt to Scott Hymas for his provocative ideas about tragedy , his friendship , and his inspirational teaching ; and to my dear friend , Anne Hohman , who shared ideas and love of literature and encouraged me in ...
... ideas . I owe a special debt to Scott Hymas for his provocative ideas about tragedy , his friendship , and his inspirational teaching ; and to my dear friend , Anne Hohman , who shared ideas and love of literature and encouraged me in ...
97 ページ
... ideas . According to his notebook entries , Coleridge , then knowing little German , began to read Lessing in 1796 and 1797. Shortly thereafter , Coleridge went to Germany to learn the language and to find out more about Lessing so that ...
... ideas . According to his notebook entries , Coleridge , then knowing little German , began to read Lessing in 1796 and 1797. Shortly thereafter , Coleridge went to Germany to learn the language and to find out more about Lessing so that ...
204 ページ
... ideas did not follow Lessing slavishly . In a Notebooks entry of December 1797 on another item in his reading , he copies out and comments : We should judge of absent things by the absent . Objects which are present are apt to produce ...
... ideas did not follow Lessing slavishly . In a Notebooks entry of December 1797 on another item in his reading , he copies out and comments : We should judge of absent things by the absent . Objects which are present are apt to produce ...
目次
Scenes of Dramatic Conflict Critical Context and Background | 6 |
The Curtain Goes Up | 33 |
Joanna Baillie Passions of the Mind Set the Stage | 61 |
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abyss action actors aesthetic Alvar argues artist audience Baillie's Beatrice Beatrice's Burwick Byron Byronic hero Cain Cenci character Coleridge Coleridge's conception consciousness Constantine Covent Garden create Critical dark delusion depiction discussion dramatists dream Drury Lane effect ekphrasis English Essays expression Faliero feelings figure Giaour Hazlitt hero history painting human ideas imagery imagination Isidore Joanna Baillie John John Philip Kemble Kean Kemble language Laocoön Lessing's light literary Literature London Manfred Marino Faliero mind mirror Monfort murder nature Ordonio painters painting and poetry passions perception performance picture play poet poetic political portrait present Princeton Prometheus Unbound psychological reality Remorse representation Rezenvelt Romantic drama Romanticism Samuel Taylor Coleridge Sardanapalus says scene scenery scenic Scott Shakespeare Shelley Shelley's Siddons skiagraphia skiagraphic spectators stage illusion sublime suggests Teresa theatrical Theory things thought tion tragedy tragic Trans verbal vision visual arts vols words Wordsworth writes York