Dark Imagination: Poetic Painting in Romantic DramaUniversity of California, Santa Cruz, 1992 - 516 ページ |
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... illusion . How this illusion works , whether through physical illusion such as the painted scene , or whether through mental activity or a combination of both , the process by which drama is conceived and understood is the focus of my ...
... illusion . How this illusion works , whether through physical illusion such as the painted scene , or whether through mental activity or a combination of both , the process by which drama is conceived and understood is the focus of my ...
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... illusion and unaware delusion . At all times , when we are reading or witnessing dramatic productions we are aware of the illusion of presence ; that is , we are not deluded . To rephrase , we are never victims of phantaseia ; rather ...
... illusion and unaware delusion . At all times , when we are reading or witnessing dramatic productions we are aware of the illusion of presence ; that is , we are not deluded . To rephrase , we are never victims of phantaseia ; rather ...
102 ページ
... illusion , including both the illusion of presence and the illusion of absence , in his dramatic production , giving form to images of the mind which are by their very nature absent from physical sight.124 Remorse is an ut pictura ...
... illusion , including both the illusion of presence and the illusion of absence , in his dramatic production , giving form to images of the mind which are by their very nature absent from physical sight.124 Remorse is an ut pictura ...
目次
Scenes of Dramatic Conflict Critical Context and Background | 6 |
The Curtain Goes Up | 33 |
Joanna Baillie Passions of the Mind Set the Stage | 61 |
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abyss action actors aesthetic Alvar argues artist audience Baillie's Beatrice Beatrice's Burwick Byron Byronic hero Cain Cenci character Coleridge Coleridge's conception consciousness Constantine Covent Garden create Critical dark delusion depiction discussion dramatists dream Drury Lane effect ekphrasis English Essays expression Faliero feelings figure Giaour Hazlitt hero history painting human ideas imagery imagination Isidore Joanna Baillie John John Philip Kemble Kean Kemble language Laocoön Lessing's light literary Literature London Manfred Marino Faliero mind mirror Monfort murder nature Ordonio painters painting and poetry passions perception performance picture play poet poetic political portrait present Princeton Prometheus Unbound psychological reality Remorse representation Rezenvelt Romantic drama Romanticism Samuel Taylor Coleridge Sardanapalus says scene scenery scenic Scott Shakespeare Shelley Shelley's Siddons skiagraphia skiagraphic spectators stage illusion sublime suggests Teresa theatrical Theory things thought tion tragedy tragic Trans verbal vision visual arts vols words Wordsworth writes York