Dark Imagination: Poetic Painting in Romantic DramaUniversity of California, Santa Cruz, 1992 - 516 ページ |
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... light . The London public first saw a theatre lit by gas - light in 1804 , at an opera house called the Lyceum . By the time John Philip Kemble died in 1823 , gas- light was widely used throughout the theatres ; and a new age of theatre ...
... light . The London public first saw a theatre lit by gas - light in 1804 , at an opera house called the Lyceum . By the time John Philip Kemble died in 1823 , gas- light was widely used throughout the theatres ; and a new age of theatre ...
39 ページ
... light that it exposes the Gallery audiences so much that you may pick out your servant ... It makes the Women of the Town so conspicuous that they cannot show themselves in the Upper Tier of Boxes without being Hooted by the Galleries ...
... light that it exposes the Gallery audiences so much that you may pick out your servant ... It makes the Women of the Town so conspicuous that they cannot show themselves in the Upper Tier of Boxes without being Hooted by the Galleries ...
113 ページ
... light , / No touch , no sound of comfort ! The black air , / It was a toil to breathe it ! " At one point , however , " a lamp's red flame / Disclosed one human countenance " ( 2.2 ) . By that red light she could see the image of her ...
... light , / No touch , no sound of comfort ! The black air , / It was a toil to breathe it ! " At one point , however , " a lamp's red flame / Disclosed one human countenance " ( 2.2 ) . By that red light she could see the image of her ...
目次
Scenes of Dramatic Conflict Critical Context and Background | 6 |
The Curtain Goes Up | 33 |
Joanna Baillie Passions of the Mind Set the Stage | 61 |
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abyss action actors aesthetic Alvar argues artist audience Baillie's Beatrice Beatrice's Burwick Byron Byronic hero Cain Cenci character Coleridge Coleridge's conception consciousness Constantine Covent Garden create Critical dark delusion depiction discussion dramatists dream Drury Lane effect ekphrasis English Essays expression Faliero feelings figure Giaour Hazlitt hero history painting human ideas imagery imagination Isidore Joanna Baillie John John Philip Kemble Kean Kemble language Laocoön Lessing's light literary Literature London Manfred Marino Faliero mind mirror Monfort murder nature Ordonio painters painting and poetry passions perception performance picture play poet poetic political portrait present Princeton Prometheus Unbound psychological reality Remorse representation Rezenvelt Romantic drama Romanticism Samuel Taylor Coleridge Sardanapalus says scene scenery scenic Scott Shakespeare Shelley Shelley's Siddons skiagraphia skiagraphic spectators stage illusion sublime suggests Teresa theatrical Theory things thought tion tragedy tragic Trans verbal vision visual arts vols words Wordsworth writes York